Egyptian Museum

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More than just Mummies

  • September 24, 2009
  • Rated 5 of 5 by garymarsh6 from Gravesend, United Kingdom
The Egyptian Museum Cairo.


We visited the Museum in Cairo one afternoon and in fact you could probably spend a couple of days here as there is so much to see. The museum is housed in a building of great halls built by the French in 1908. The halls are absolutely massive and the security is quite tight here obviously because of the vast collection of priceless treasures and also because of the threat to tourists. Before you enter the Museum you have to go through a scanner to make sure you are not armed or carrying something you should not be carrying. All bags have to go through an x-ray machine and finally random searches are undertaken. It is forbidden to take photos in the museum.

They are currently building a long awaited new museum on the outskirts of Cairo to house the exhibition but it is taking a long time to build quite near to the Pyramids. The congestion in Cairo is unbelievable so that would be quite a blessing when it is completed as it is near the ring road.

My main reason for visiting the museum was to see the Tutankhamen’s exhibition. In 1972 when I was a child I remember that an exhibition was brought to London and staged in the British Museum there were lots of photos in the papers and so much publicity about it. I begged my father to take me to see it but alas it was not to be. The queues to enter the exhibition in London stretched for up to a mile each day and in total there were nearly 1.8 million visitors to the exhibition which was opened by the Queen to mark the 50th anniversary of its discovery by Howard Carter. The thing that was of main interest was the funerary mask made of solid gold which most people would recognise belonging to Tutankhamen.

The museum is absolutely vast and contains over 120,000 artefacts some of which are in storage. It is divided into various halls according to which period of history the artefacts come from. So without talking about the rest of the contents of the museum I will tell you about the Tutankhamen display.

We went up to the first floor passing loads of coffins on the way to the great hall where all the King Tutankhamen items were. It is astonishing to see that the hall goes on for ever or so it seems with all the items he was buried with including things that he used during his short life.

There are cases on either side of the room and cases down the middle of the great hall displaying chairs, beds, statues, jewellery, armoury, clothing, shoes, pots bowls, plates, vases, cups, coins and other ornaments. The list is endless.
The displays here are absolutely stunning with lots of gold and other precious metals and stones. Precious woods all highly decorated and painted in gold and other beautiful colours. There were also……… holding the internal organs which were buried separately to the body and only the heart being placed back inside the body. The brain, kidneys liver lungs and bowels were all put in jars or chests after being preserved.

It is amazing to see these small items, they are so beautiful. Over 3200 items were found in total and bearing in mind he died suddenly and at such a young age its amazing how much was put into the tomb. They estimate that the tomb was robbed on two occasions before Carters discovery so there would have been a lot more booty! You can imagine how much stuff must have been present in the tombs of Kings who had lived to a right old age and most of it taken by grave robbers.

What is even more amazing is when you get to the end of the corridor and the massive displays await you. There are massive beds, chariots, the funerary bed, stools, chairs his throne and boxes. All of them highly decorated in gold and other bright colours.

The sarcophagus was inside a set of three gold boxes engraved with lovely designs and funerary passages engraved in them just like the little Russian dolls one fitting neatly inside the other until you reach the outer ornate sarcophagus. The inside sarcophagus is made of solid gold and is beautifully painted with his arms folded holding the insignia of office Inside this would be the boy Kings Body wearing the mask. When carter discovered this they tried to find out why he died they dismembered the limbs, cut the torso in half and as the funeral mask was cemented onto his head they ended up decapitating him.

The sarcophagus and mask takes centre stage in the side room along with all his fine jewellery, rings, earrings and amulets. The mask is in a display case on its own and lit up for all to see in the middle of the room. It looks absolutely magnificent although from the pictures I have seen I would have thought it would have been much bigger, in fact it is fairly small.

The funeral mask was made of solid gold and weighs in at an incredible 24.5 lbs. and is inlaid with precious glass and semi precious stones lapis lazuli. On the front at the top of the mask is a cobra and a Falcon. The eye markings are really defined and lovely looking.

I have certainly realised one of my life long dreams of seeing both the Great Pyramids and the items from Tutankhamen and had I not seen another thing in Egypt I would have been entirely satisfied with these.

I would highly recommend anyone to visit here to marvel at how clever the ancient Egyptian craftsmen must have been producing fine jewellery with fine precision and intricacy with primitive tools.

My one big criticism of this great museum is that with today’s technology and the amount of Students of Egyptology and employees’ working in the museum, the cataloguing of the exhibits is absolutely dreadful. The small typed cards have not been updated from about the 1930’s or so it appears. They have been typed using an old typewriter. I would really have thought they would be on the ball about this. It seems to me that that although they have this wealth of rare valuable historic items they do not seem to take as much care as I would have liked to see. They are irreplaceable and a fine example of mans abilities and skills to produce something of such beauty.


From journal The Ancient Delights of the Middle East

The Museum of Egyptian Antiquities is overwhelming

  • January 26, 2009
  • Rated 4 of 5 by NiceGinna from Evanston, Illinois
The Museum of Egyptian Antiquities is overwhelming

After seeing all the amazing sites on our tour, our last stop was at the Museum of Egyptian Antiquities. Our guide took us on a 2 hour tour and then left us to wander for another hour or so. There is simply too much to see and we found it exhausting. The guided tour is best, and he saved the King Tut artifacts for the end. They are exquisite with all the gold and ivory and the furniture is fascinating.

But we found the presentation a bit bleak - it was difficult to decide what was more or less important. Everything seemed to be given the same emphasis. Or maybe we had taken in all our brains could take! It was time to go home.

From journal An Unforgettable 10 Days in Egypt

Editor Pick

The Museum of Egyptian Antiquities - Ancient History

The Museum of Egyptian Antiquities - Ancient History

Egypt and its incredible history deserves better than the Museum of Egyptian Antiquities in Cairo. This Museum has been the repository for many of the relics of the Pharoanic period for 150 years now, and its treasures are legion: statues and sphinxes, murals and mummies, ornaments both religious and practical in nature, and of course the treasures of King Tutankhamun. Yet, maybe do to the sheer bulk of its collection (some 136,000 pieces), it does not seem to have been extensively reorganised since the 1920s. Exhibits are crammed in, poorly labelled, many open to be pawed by every passing visitor. In general it is a crowded, poorly-labelled jumble of relics, with only some pretence at order. This is not an Egyptian disease; the Egyptians can run fantastic museums of the standard of the Nubian Museum in Aswan, the Luxor Museum, and the Coptic Museum here in Cairo. A new museum is currently being constructed out on Pyramids Road, and I have a well-supported belief that once relocated (in around 2015 unfortunately), the Museum of Egyptian Antiquities will once more take its place as one of the world’s great museums, and not just a building housing great exhibits poorly.

The nearest Metro station is Sadat at Midan Tahrir to the south beyond the Nile Hilton. Taxis can be hailed to the north of the museum or outside the Hilton – bear in mind that drivers will artificially inflate their starting prices if you catch one from either of these locations. It costs LE50 to visit the museum (around £4.50GBP). Cameras need to be left in one of the security offices outside the grand rosehip-pink building (remember to reclaim them afterwards!). Inside there is a vague itinerary. The ground floor is loosely chronological in order; the upper is devoted to individual aspects - Tutankhamun’s treasure, royal mummies, model boats, tools etc. In general the displays are not great at contextualising what you see. It is therefore advisable to have some form of guide. Our guide, Laila said that as we only had two-and-a-half hours she would just cover the highlights! You could easily spend a half-day or longer here. If I’d had more time I would have used my introductory tour as a basis, and then returned to look around at further length under my own steam.

We started in the Atrium with Zoser, occupant of the very first pyramid. I was later to see a replica of this statue in its original location, the serdab outside his step-pyramid at Saqqara, staring off north for eternity. There is a copy of the famous Rosetta stone that enabled translation of hieroglyphics; the original I had seen previously in the British Museum.

From there we went upstairs to see the treasures of the boy-king Tutankhamun. His grave had survived looting until its rediscovery in the Valley of the Kings by Howard Carter in 1922, and hence the vast bulk of his grave goods (some 1700 pieces) remained intact. Here you will can see leopard-skin shields, still in good condition after 2300 years.The walls are lined with 365 ushabtis, holding the spirits of the servants, soldiers and farmers who would cater to his needs in the afterlife. There is a fabulous folding bed with modern-looking hinges, and ornate thrones where the pharoah could rest his feet on depictions of his defeated foes. Who were these foes? Well, his walking sticks (the ‘Prisoners’ Canes’) show effigies of Nubians, Persians – even Chinese, stylized in such a way that they could have been 19th century artifacts, rather than dating from the 1352 BC!

A separate room is given over to Tut’s most personal effects – the jewellery and ornaments that went into his sarcophagus with him. His funeral mask is everything you dream. Gold, black and turquoise, ears pierced, cobra rearing from the forehead, it is truly stunning. I am used to the full-on face-on viewpoint, so I was enraptured by the profile (you can do a full 360 around the mask). Whisper it quietly for fear of controversy, but from the side the jawline and thick lips look much more ‘African’ than the Semitic Egyptians of today…

From here we returned downstairs to see his parents, Akhenaten and Nefertiti and the Amarna period. Akhenaten dispossed the powerful priesthoods of Amun and instituted a monotheistic religion centered on the Aten sun-disk. Conventional art also went out the window, as you can see by their exaggerated depictions – wide hips, distended bellies, elongated heads. Laila said this was a genetic deformity due to inbreeding. Not a choice made by binding their heads? "No no no! Who old you they bound their heads?" Um, no one. Just a guess. Sore nerve?

With that little controversy dying down we went on to see relics of Hatshepsut (the loathed female pharoah), the Hyksos, and the ‘big three’ pyramid builders from Giza (including the famed mural of the ‘Meidum Geese’).

For another LE100, you can see the Royal Mummies. Quite expensive, considering that you can see other mummies for no additional fee elsewhere in Egypt (the Luxor Museum for instance). There are eleven bodies displayed here, all looking pretty much the same – dark skin, seemingly cut from stone, withered stick-like limbs, oily waves of black hair, teeth ivory against the ebony skin. You are expected to show respect for these fathers of Egypt and no guides are allowed; you are expected to progress in silence and read the panels (which for once are actually very informative). So what did I learn about those cousin-marrying dynasties? Well, mainly that they suffered from a wide variety of ailments – elongated skulls, very bad teeth, arthritis, arteriosclerosis, obesity (Hatshepsut), and – in the case of Ramses V – a distended scrotum! Outside there are animal mummies that require no additional fee to view. Two giant crocodiles steal the show, but there are also cats, baboons, and even shrews. The easiest job must have been the mummified snake!

I’ll have to give the Egyptian Museum five-stars as a must see. You cannot come to Cairo and pass on the opportunity of seeing the glorious grave goods of Tutankhamun. But that doesn’t mean I like the museum. I personally think it gives a very bad image of Egypt as a ramshackle, disorganised collection of historical treasures and little more to commend it. I look forward to the completion of the new, larger museum out by the Pyramids. Having seen some of the country’s newer museums I have little doubt that it will be a professional and cutting-edge gallery that will happily make most of my words above redundant.

From journal Pyramids, Popes and Parallel Worlds

Editor Pick

Egyptian Museum – I Want My Mummy!

  • June 6, 2006
  • Rated 5 of 5 by Carmen from Fairfax, Virginia
Egyptian Museum – I Want My Mummy!

The first thing you should know about the Egyptian Museum is that as of this writing, you’re not allowed to even carry a camera into the building. Take some photos in the gardens (there are sufficient artifacts there) either before or after you go through the museum. You’ll have to take your camera to a little stand and they give you a claim ticket. Those people who use flash when they shouldn’t ruined it for everyone.

For a car, a guide, and the entrance fee (including time at the Mosque) the cost was $50. The collections in the museum are massive, and you could easily spend days here—kind of like the Louvre. However, you can get plenty of highlights in a morning. The displays are divided into Old, Middle, and New Kingdoms, with the second floor dedicated to the treasures of King Tutankhamen—including a jewelry room with the mask, wow! This is one of the few places where I would think you absolutely should have a guide, preferably one that knows hieroglyphics. Our guide taught us some of the common symbols, how to read the cartouches (there are two names for a king, his birth name, and his king name), how to look for some of the gods and goddesses (Hathor has two horns and a moon, Horace is a falcon, etc.)

The King Tut floor is amazing. How very fortunate that Carter found the tomb in tact. I had read that there was an extra charge for this, but unless it was included in the tour and we just didn’t know it, there weren’t any ticket stands, etc.

The Mummy Room, however, does cost an extra 70 Egyptian pounds. I’ve read debates online as to whether the mummies are worth all that extra money, but I’d have to say that they were. There were about 10 mummies in the room and the best one, in my opinion, is the mummy of Ramses II (the only Ramses worth mentioning). It’s so cool (and freaky) that you can still see hair, teeth, fingernails, etc. Of note, only the royal mummies have their arms crossed. No crossed arms, probably not a royal mummy. They took out the organs and put them in jars—liver, stomach, intestine, lungs. The heart was left in the body, because it would be weighed in the afterlife to judge whether the king was good or bad and could continue on to Osiris. The brain was sucked out after being melted with a big hot poker.

The gift shops here are a little lacking, I think, being that you can’t take photos inside. There are lots of postcards, but not of the artifacts. Regardless, you shouldn’t miss taking the photos in your mind.

From journal Cairo: We're Literally in BFE!

Editor Pick

Egyptian Museum

  • September 2, 2005
  • Rated 5 of 5 by kwasiak from Tucson, Arizona
Egyptian Museum

We entered the museum by going through two security checkpoints with metal detectors. They first let you into the gated area surrounding the museum (this is as far as your camera can go, as no cameras are allowed inside the building). The second one was when you entered the actual museum building. Unlike most tourist spots in Egypt, this was one place where you could not beep when going through the metal detector.

We started our visit at probably the most famous artifact in the museum, the Palette of Narmer. For me, it was an amazing experience to see the piece of actual true palette that I had spent 2 weeks studying by the use of pictures in a class the previous semester. The palette depicts King Narmer uniting Lower and Upper Egypt. He is often considered the first pharaoh to rule over both upper and lower Egypt. The palette dates to around 3,200 BCE and is one of Egypt’s oldest surviving historical records. It is hard to imagine that the palette was caved over 5,000 years ago, because it remains in such good condition. I believe that seeing this palette is definitely worth pushing your way through the crowd of tourists surrounding the case.

The rest of the museum is just as overwhelming. There are many rooms on the two floors of the museum. The walls of each room are covered with cases containing artifacts, and in many rooms, statues stand in the middle. My favorite thing to see besides the Palette of Narmer was the Tutankhamen exhibit. The exhibit took up a good portion of the museum’s second floor. The exhibit included the well-recognized golden burial mask of Tutankhamen, the many enormous sarcophagi that he was buried within, and many other items that were buried in his tomb.

Before leaving the museum, I got my camera off the bus and took the only photos I could of the outside statues and the building. I could not pass up buying postcards of the Palette of Narmer and mailing one with a stamp of one of the Tutankhamen statues that are in the museum.

From journal Discovering Ancient Memphis

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