Staatsoper

hermion
hermion
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Staatsoper

Staatsoper

The Vienna State Opera House gives guided tours in several languages most days. The tour is 5 euros (or you can combine it with a visit to the Opera Museum for 6.50 euros).

We'd never been in an opera house before, so it was quite a treat to see the stage, backstage, and boxes, just like we've seen in various movies. The guides do a nice job of explaining how the opera is run and a little bit of history. We also learned that you can get standing room only tickets for opera performances very cheaply if you really want to see an opera but are on a tight budget.

When we visited, we bought our tour ticket, then waited in a hallway with many others. Several tours in different languages start off at the same to visit the different parts of the opera house. Then each tour group rotates around to all the different stations. They are able to put a lot of people through the tours with the way they have it organized. Next time we'll have to actually see a performance.

See their website at http://www.staatsoper.at.

From journal A Few Days in Vienna

Ballet at Staatsoper

  • April 1, 2006
  • Rated 4 of 5 by g-champagne* from N/A, Switzerland
We went for the last-minute standing tickets for the performance of Tchaikovsky's Swan Lake at the famous Staatsoper. The standing tickets get you a great standing spot right at the centre of the theatre (€3.5 on the first floor; €2 on upper floor) and gives you a great view of the stage. These last-minute standing tickets cannot be reserved, so even if the performance is sold out (which is VERY likely if you didn't reserve weeks, if not months, in advance), you can still go for these tickets. But be prepared to be jammed and crammed into a pit, instead of having your own spacious standing room because they do try to get as many people into the standing area as possible—but don't worry, there are still limits to the cramming and you'll still be able to see the performance without feeling intimidated by the presence of others.

From journal Vienna - City of Music and Culture

Editor Pick

Staatsoper

  • July 18, 2005
  • Rated 5 of 5 by Webgoddess from Burke, Virginia
Staatsoper

Vienna Opera House is situated in the first district of Vienna at the southern end of the Kärntnerstrasse. August von Sicardsburg and Eduard van der Nüll built the State Opera House from 1861 to 1869.

The Vienna State Opera House was opened in 1869 with a gala performance of Mozart’s "Don Giovanni." Since that time, it has been one of world’s leading and most famous opera houses. Great musicians have held the post of director, among them Gustav Mahler, Richard Strauss, Herbert von Karajan, Karl Böhm, Lorin Maazel, and many others.

The Opera House was almost totally destroyed in the World War II, but soon after was reconstructed following the original plans (it was reopened in 1955).

We had seats in one of the many well-appointed boxes for an excellent performance of "Der Rosenkavalier" by Strauss. Our box even had a dressing area with a mirror to fix your lipstick at intermission! Each concert-goer is provided with a real-time digital translator in multiple languages.

If you enjoy classical music of any kind, a night at the State Opera is one of the most impressive events any visitor to Vienna can experience.

If you can't get tickets for a performance (all but standing room sells out months in advance), by all means, book an afternoon tour of the Opera House. The architecture and artwork are well worth the time and price. I suggest purchasing your tickets through a reseller rather than directly from the Staatsoper website. I ordered mine 6 months in advance, gave them all of my credit-card information, and received a confirmation. I thought things were set until a week before the performance, when they sent an email telling me that they had no tickets available. Interestingly enough, I was able to buy them at a reseller at a much higher premium, although the seats were not nearly as good as the ones I had reserved.

The Vienna State Opera House is equipped with air-conditioning.

From journal Waltzing through Vienna

Wiener Staatsoper

  • December 19, 2004
  • Rated 5 of 5 by roza4 from Cinnaminson, New Jersey
A very large neo-Renaissance building of Wiener Staatsoper (Vienna State Opera), with several levels of columns and arches, seems to dominate Opernring. On both sides of the building are fountains, one of which has a statue of Lorelei. Its beautiful arched entrance and an impressive lobby, with a grand staircase surrounded by statues of muses along the rail and frescoes above it on the ceiling, make you feel truly royal. On the first floor on the right is a hall with modern tapestries of Magic Flute. The large hall in front is lavishly decorated with ceiling and wall frescoes of angels and flowers. In the niches, you can see busts of composers, including the bust of Mahler by Rodin, rather lonely standing on the fireplace mantle. The stage has a plain purple velvet curtain; the ceiling is modern with a large beautiful chandelier with a myriad of lights. There is plain decor inside, with balconies decorated with gilded cereal sheaves. Every seat has a small screen with subtitles. Purple Damascus walls in loggias and plush chairs that make you feel very comfortable during the performance. I went to the performance of La Boheme. It was a very lovely performance, with nice stage decorations and very good voices, especially from the Italian tenor who performed the role of Rudolfo and a Hungarian soprano who was a real Mimi.

From journal Travels in Austria - Vienna

Editor Pick

A tour of the Wiener Staatsoper

  • May 26, 2004
  • Rated 4 of 5 by Idler from Poolesville, Maryland
A tour of the Wiener Staatsoper


Vienna’s opera house was the first building commissioned by Emperor Franz Joseph as part of the grand civic restructuring that took place when the Ringstraße was built. Designed as a splendid boulevard, the Ringstraße was one of the outstanding urban achievements of the 19th century. The new Opera House, situated where fashionable Kärntnerstraße merges onto the Ringstraße, was to be the symbol of this grandiose renewal.

When the opera house was completed in 1869, however, many criticized the exterior, which was likened to a ‘sunken box.’ One of its architects, E. van der Nüll, even committed suicide in the wake of the controversy. In truth, the building does appear inertly massive in comparison with the surrounding architecture, but with an opera house, it’s what’s inside that counts, and what's inside is very splendid indeed.

Hoping to orient myself in the vast structure before attending a performance as well as wanting to learn a little of its history, I took one of the regularly scheduled tours. I was surprised at how many people had come. There are actually two tours, one in German and the other in English. I struck up a conversation with a couple from England. They weren’t opera fans, but, like many of the others taking the tour, had been told the opera house was a ‘must see’ and so had come.

Perhaps in keeping with this general audience, the tour was a fairly broad overview of the history of the opera house and its day-to-day running. The Staatsoper stages an astonishing number of productions a year – about 55 different operas with as many as five different productions held each week. Not surprisingly, the sets and costumes are stored in warehouses elsewhere and brought each day to the Staatsoper in vast shipping vans.

The tour goes through a series of famous rooms, such as the Mahler Room, with its Gobelin tapestries depicting scenes from die Zauberflöte (it was previously called the "Mozart room"), and the Mable Hall, with its stylized modern murals. We took turns crowding before the narrow doorway to the Emperor’s Tea Room to view the sumptuous interior. It can be rented, we were informed for a mere 1,000 euros per hour!

The tour concludes in the house itself, where stagehands were preparing for that evening’s performance. The Staatsoper has one of the largest stages in the world, and one of the most sophisticated as well. Different musical effects can be produced by raising or lowering the orchestra pit, for example. Rather than surtitles, small electronic screens at each seat provide translations of the libretto in English or German.

What is perhaps most impressive, however, is that with over 500 inexpensive stehplatz (standing room places), virtually anyone can afford a night at the opera in Vienna. In Austria, such cultural institutions are not just for the wealthy; they are woven into the fabric of everyday life. It’s that sense of shared cultural traditions that makes Vienna truly special.

From journal Waltzing Off to Vienna

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