It is amazing, though, to have world-famous Lakeshore Drive on one side and Lake Michigan on the other. It is an unbelievable course for being in the middle of a major city. Wrigley Field is literally a driver 3-wood from the course.

Do not miss the picture galleries right at Randolph and Michigan. You will see families from all over the world described to contrast the incredible cultural differences of people on our planet.

Here are some Millennium Park attractions that may not be as high-profile but are worth a look nevertheless.

The Lurie Garden is still a work in progress, but its 2.5 acres are a peaceful place for a stroll. The variety of local and imported plantings is impressive. A miniature forest of trees acts as a hedge between the throngs of visitors and the delicate garden. In turn, the trees are safely fenced off from the crowds. The garden is bisected by a boardwalk and a little stream, but it sputters at its south end at Monroe Drive to look like a bad leak. Perhaps when it is fine-tuned the water will cascade over the edge to extend the presence of the park towards the Art Institute.

The Millennium Monument at Wrigley Square anchors the northwest corner of the site. It features a neoclassical curving colonnade of Doric columns that is reminiscent of a similar peristyle at this spot between 1917 and 1953. The peristyle cups a circular fountain that is quiet in comparison to its flamboyant cousin (the Plensa-designed multimedia Crown Fountain) and its famous granddaddy (the nearby Buckingham Fountain). Accept it for what it is, check out the list of donors engraved on the wall, and rest here if you are tired from enjoying the new urban playground of the city.

Just south of the new peristyle is the McCormick Tribune Plaza (keeping track of all the corporate sponsors?), which has a dual purpose depending on the season. In the summer it is utilized as an extension of the Park Grill Restaurant, which needs it for overflow alfresco crowds that frequently wait well over an hour for a table. In the winter the plaza is transformed into a popular ice skating rink.

The Joan W. and Irving B. Harris Theater for Music and Dance was designed by Thomas Beeby, the architect of the postmodern Harold Washington Library in the South Loop. This design is far less flamboyant, mainly in deference to the centerpiece Pritzker Pavilion. It is a minimalist building with a glassy front, though much of the 1,500 seat facility is built below ground. Climb the stairs to the outdoor deck for an alternative view of some parts of the park.

The Exelon Pavilions are basically glorified entrances to the underground parking garage, with one to be a visitor center. They employ solar panels for energy purposes. The two along Monroe Drive were designed by Italian architect Renzo Piano, and they anticipate his annex to the Art Institute that will be built across the street within a few years. The pair along Randolph Drive was designed by Thomas Beeby, complementing the Harris Theater (they are scheduled to be completed this August).

The Bicycle Station was designed by David Steele of the firm Muller and Muller. It includes lockers, showers and other facilities to encourage more locals to ride bicycles downtown.

At Millennium Park the talk of the town is the new landmark sculpture called "Cloud Gate", although most people simply call it "the Bean" because it looks like a giant silvery jelly bean. This brilliant work was designed by Anish Kapoor, a London artist born in Bombay. His first work in the States has quickly become a favorite with the public, which is notoriously skeptical of anything new or original.

The stainless steel object is deceptively simple. At first glance it just looks like a big bean, but the fun begins as you approach it. The reflective convex surface becomes a giant funhouse mirror, so buildings across Michigan Avenue can now be viewed with a fresh perspective. Onlookers feel like part of the art as they see their reflections. The experience becomes even more intense once you walk beneath the sculpture through its "gate". The underside of the bean is more concave than one might expect so instead of a claustrophobic feeling, you feel liberated as you walk under here. The bizarre mirror effect is multiplied so everyone can see several reflections of themselves simultaneously. Play some Pink Floyd if you want to enhance this psychedelic experience. As marvelous as the enormous (66 feet long, 33 feet high, 42 feet wide, 110 tons) sculpture is already, it is to be fine-tuned a bit to remove some of the seams, which currently do not necessarily detract from the overall appearance. Once this is completed, this will be one really smooth bean. It will probably be quite a chore to maintain the sparkling surface of the sculpture.

The Crown Fountain is as far from typical as one can get. Conceived by Barcelona artist Jaume Plensa and designed with the local architecture firm Krueck and Sexton, this extraordinary project is virtually guaranteed to make any visitor smile.

The ensemble features two 50-foot-tall rectangular towers of glass block at either end of a black granite reflecting pool that acts as a wet plaza. On the inside surface of each of the towers, a face of a "typical" local is monumentally displayed. After the two video images face off for several minutes, they simultaneously "spit" a stream of water onto the plaza. Once these modern-day gargoyles are finished spewing water, the images disappear and cascades of water tumble down the towers as if an invisible bucket were dislodged from the top of a door. The cycle renews with another two portraits squaring off, and there are supposedly hundreds of these resident faces in the database. Kids and frisky adults enjoy frolicking in this urban water park. The glass towers are dramatically lit at night. Perhaps since this is the most "fun" part of Millennium Park, it will not be as critically acclaimed for its design. The Crown Fountain is public art that is as inclusive as it gets, and that is what should endear it to the hearts of Chicagoans.

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Perhaps the most anticipated element of the complex is the Jay Pritzker Music Pavilion, designed by Mr. Guggenheim Bilbao himself, architect Frank Gehry. He has one of the hottest hands in the world of architecture, and he shows it again with this gleaming structure featuring his trademark network of stainless steel panels. I have been privileged to watch this project slowly taking shape during its construction phase, and the final result is a welcome addition to the Chicago landscape. It may not be as exciting as the Guggenheim Bilbao, but this new band shell should still be appreciated as a nice derivative of Gehry’s original standard.

The pavilion looks like a giant metallic onion with its outer layers peeled off to reveal the beautiful state-of-the-art stage in its heart. The shells hovering above the stage have been compared to a headdress or silvery clouds. 4,000 red seats face the concert stage, backed with a Great Lawn that can hold another 7,000 people. A steel trellis that adds a sense of enclosure even though it is clearly an outdoor space tops the lawn. Speakers are attached to the trellis to spread the sound quality throughout the lawn area. Some have speculated that the trellis could eventually be hooded with a fabric roof for those not-so-nice days in the city, and such a dome may be an attractive result next to the grandiose Gehry pavilion.

Gehry also designed the BP Pedestrian Bridge. It connects Millennium Park with Daley Bicentennial Plaza by leaping over Columbus Drive, adding an extra connection to the lakefront. The bridge, Gehry’s first completed design of such a span, features similar stainless steel panels to act as an ensemble piece to the Pritzker Pavilion. The bridge is not a straight crossover, so it will frustrate those who like to go directly from Point A to Point B. It is more of a winding promenade path than a bridge, designed with several switchbacks that provide many opportunities to gaze at Gehry’s other creation from various angles. It is sculpturally serpentine and scaly, with imagery of a snake or the Mississippi River coming to mind. The bridge deck is composed of hardwood planks, a nice touch that should appeal to the many pedestrians who will utilize this structure.

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