Although some
Legong dances are staged in hotels for tourists, it's best to see an authentic rendition in Ubud where they have performances every Monday and Sunday nights at 7:30pm at the Ubud Palace.
The performance takes place outside the palace with drapes covering the open walls so as to ensure privacy. It's a first come first serve - white folding chairs seats which are very uncomfortable. They are positioned in front of the palace door where a stage has been set. To the right and left of the stage is the gamelan orchestra.
Gamelan is the basis of Balinese music and is so crucial that the name is given to the entire orchestra. It is mainly percussion, and I found it irritating at first as it sounded like a cacaphony of pots and pans. The men in the ensemble have hammers with which they hit xylophones and are accompanied by 2 flutists. There are no words, although traditionally, there is a narrator explaining the story.
Every Balinese dance
has an element of religion in it: the purpose may be to welcome, appease or visit the Gods. The young girls who perform the Legong dance are between the ages of 8 and 12; they are trained at 5, and are removed from dancing when they begin to menstruate, as they are considered impure. The dance represents the epitomy of grace and femininity: the clothing is vibrant in color and almost always gilded; frangipanni buds may adorn the head or other parts of the face; the eyebrows are painted in black, the face powdered, and a white dot is placed on the forehead.
It is entrancing to watch the incredible control they exercise over their muscles; knees are always bent; torso is bending one way or the other but never in line with the rest of the body; the hands are the most mesmerizing: as the arms move up and about, the fingers are doing a dance of their own. They can make individual pairs of fingers flutter simultaneously! At the same time, the eyes are darting from left to right. As the music quickens, the dancers put their bodies to the test of discipline and come through beautifully. At one point, they exit and the barong enters, and he is quite frightening actually. He is there to chase the evil spirits and he goes into his own type of ceremonious movements, again complimented by the peals of the orchestra. I found the female dancers much more appealing and fascinating. Their ability to arch their wrists and bend their fingers back is uncanny. Naturally, I didn't understand the story until I read about the history of Legong and other dances native to Indonesia. However, you need not know the story to appreciate the dazzle of this dance. There are many areas on the net where you can locate schedules of such performances if you are contemplating Bali as a destination. Golink.