The Drawing Room, which you come to next, is very grand and the furnishings are a real mixture. The sofas are typical Edwardian flowery chintz, and there are very elaborate lights and huge windows. There are also some very fussy inlaid wooden items, small tables, a chest, etc, which are so over-decorated they look a little silly. There are also cabinets full of the fussy china statues, ivory statues, etc, which were popular 150 to 50 years ago (and regrettably, still are in certain quarters). There is no fit here – furniture, tapestries, and paintings all from different periods and styles, which doesn’t make for a comfortable atmosphere.
Underneath this room is the Dining Room, which features a huge oak table which is laid for a formal dinner. There are painting of Drewe’s parents and grandparents, and a lovely red patterned rug covering most of the room’s floor. The ceiling, which is beautifully elaborate white plaster-work, feels a bit oppressive for a room as big as this, but it’s still a nice place to be. There is a huge tapestry on one wall of a battle scene, and some very odd horns for drinking out of, encrusted with silver and too heavy to be useful.
The practical rooms downstairs are very interesting – and the architect didn’t stint his attention here. The kitchen is especially amazing – the only light is from a huge windowed dome in the centre of the room, and under the dome is an incredible circular wooden table to preparing food on, which appears to be the same size as the dome. There are chopping boards which fit the table, being curved in the same way, and it’s a very clever room altogether.
Leaving the kitchen rooms, (there are also servants’ room, pantries, etc) you go up again to the family bedroom floor. The rather unimpressive paintings on the walls were executed by various members of the Drewe clan, which is just as well, as it would be a waste to pay for most of them. One of the most interesting rooms is Julius Drewe’s study, which has his rent books, fishing equipment, family papers and photos, and books, and must have been a pleasant place to work. The bathroom nearby is amazing – it features a bath with a curved ceramic shower at one end – the shower has little holes all the way up the sides to spray water on the body as well as the head of the person standing in it; a very useful idea.
Next to these rooms are bedrooms, the main one being that of Julius Drewe and his wife. The windows again have a pleasant view, and the bed has a formal dress laid out on it, so that one can imagine the process of dressing for dinner, before heading down to the Dining Room below.
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