Gustav Vigeland (1869-1943) was destined to be under his father's tight puritanical control in the family carpentry business. It's not like boys were given many more choices than girls in Victorian times! At the age of 15, he showed promise of becoming a great craftsman as he entered into his apprenticeship and his formal education was considered over.
But Gustav had bigger and better dreams in materials much harder and durable than wood!
After his father's death--when Gustav was 19-he began to follow his GOD-given path. He lived and breathed the art form of a sculpter without any formal education as he was taken under the protection of benefactors who saw his vision.
By 1897 he was hired to help with restoration of the Nidaros Cathedral in Trondheim that lasted until 1902. Many of the pieces he worked on at this time had a hint of mythology with dragons and knights in armour.
As Gustav continued to grow and learn; his art form changed to the busts of important Nowegians such as Henrik Ibsen. This is not surprising, since he would have been in his thirties at this time and needed a solid form of income.
By his fifties his psyche and his work melded into a grand ideal that was a sweet-thing for the city of Oslo and stabalized Gustav's finances allowing the greatest and best work that he was ever to create.
In exchange for a studio and a rent-free place to work--Gustav agreed to develop a park for the people featuring his work in a natural setting. The park is divided into units:
MAIN GATE-Art-Nuevo gates that lead to a bridge lined with bronze figures of men, women, and children in various stages of life and in animated poses.
THE FOUNTAIN--with 20 groups placed under the tree of life showing man from cradle to grave and new life arising from the dust of death. The center fountain shows giant men who support the earth.
THE MONOLITH--carved from one single granite block that shows 121 figures trying to rise to heaven and reach redemption (a common theme of his). This took 3 stone carvers 14 years to complete. Gustav cast each figure in plaster by himself to be used by the carvers as a copy.
WHEELS OF LIFE--men, women, and children holding onto each other in a circle which is the symbol of eternity.
Most of his work concerns the human figure nude. He does this to make you look at yourself in brutal honesty while seeing your fragility. When you first see his work you may think that he had been at Woodstock smoking dope with the hippies during the 1960's. It is hard to realize that he lived 45 years...almost a generation...before that flower-power time.
Gustav never lived long enough to see the park completed, but most of his plans have been finished by the city.