Chetumal is more or less the center of the enshrinement of Mayan culture, probably because it is the main political site within the Mayan area. The state government is very much into depicting, glorifying, and ultimately claiming Mayan heritage. The Chetumal Civic Center includes, in addition to a public market and small park, the Museum of Mayan Culture, the Fine Arts Center, and a giant sculpture, all in some way related to Maya.
The Museum is a beauty, and much enjoyed by everybody who visits it, from foreigners interested in the Mayan world to school children getting a glimpse of their heritage. It's a nice, modern museum, and very much in the New Mode of Museums for the Television Generations. Random levels, trees and recorded bird calls, multi-monitors flashing slides, interactive computer displays. Self guided, or with English-speaking guides by arrangement.
It is also almost entirely a museum of reproductions, replicas, and models. There are some smaller pots and clay objects of true antiguity--including some beautiful and very intact complex clay whistles and rattles--but the codex pages, stelae, and carvings are all fiberglass reproductions of the real stones, which have been left where they stood. Very good copies, I might add-you have to touch them to know the difference. And WHAT did they tell you about touching stuff in museums? Don't be a damn Philistine, the ages are watching you. Probably this is a better idea than the way things used to be handled, with Greek marbles and Egyptian stelae stripped from sites and carted off to museums in other cities, or more likely other countries. I found it easiest to think of the museum as a sort of walk-through guidebook that explains while it shows what things look like and what they looked like back when people used them. There are some very cool models of the ancient cities under glass in the floor-I was dying to run a little electric train through them. A few exhibits are intrinsically modern and ellucidate better than the originals-notably the hand cranked, ceiling high computer that allows you to crank the gears representing the 360 day year, the 260 Holy Year, and the Big Wheel of millenia around to arrive at a given date. Find the end of the world!
Another probable improvement on reality is a room shaped like one of those little bungalows up on top of the pyramids, every inch of the interior all painted like new in bright colors, a sort of Sistine Chapel for cartoonists. It's very unlikely you could see anything like this in real life-if the original paint help up for thousands of years, they'd be nuts to let knuckleheads like us get in there and degrade it. But here you can see the full splendor of the old murals. And they are surprizingly modern, in many ways. Mayan art is strange: in some ways it is so stylized as to be recognizable only to archeologists (assuming their interpretations of this Picassesque stuff is valid), but other things, like human faces are wonderfully rendered, showing subtlety of expression. The Mayans would have made fantastic political cartoonists. The mural shown in the Museum is a great little piece of court lore, with various personages standing around shooting the doubtless holy shit. You just immediately start seeing little balloons over their heads, saying like, "¡¿Say WHAT!?" or "Shut up and pay up, bozo," or a VERY obvious "Somebody get that damn kid out of here, will you?" I think this one shot brings home the Mayans as humans more than any other display.
Whether or not the huge stone heads of gods/monsters or the extremely neat, three story statue of the Mayan Tree of Life (The Sacred Ceiba) impress you may be a measure of your own imagination. I loved the Tree, a depiction of the realms of existence from sky down to the underground water of the underworld. And it seems so natural to people who live around water-filled cenotes on a flat plain and view the open sky. In fact the concept of Natural is made much of here, with all the eco-babble of people living with nature. Well, you KNOW how I hate to be politically incorrect, but primitive people generally live with nature-they have no choice. Unless you consider stripping stone from the ground to build giant temples and ball fields an example of living with the natural world on its own terms. An interesting display in the museum shows how the Mayans used cradleboards and straps to deform the skulls of infants into the fashionable shape-also hanging little dingle-balls between their eyes to make them cross-eyed, another fashion (and possibly explaining the current Mexican taxi cab). Is this living in Nature, or perverting nature of the most intimate sort (like the size of your brain cavity) to suit the designs of Man?
Anyway, the Museum is pretty damn cool. $50 pesos for foreigners ($20 for students and teachers with I.D.) Hours are 9 AM to 7PM.
Walking south from the Museum you pass a huge Monument to the Meztiza. It has a towering abstract piece or weirdness attached, but the main impact is a very cool depiction of the mixing of Spanish and Mayan blood. It all started over here in the Mayan world, before Cortes turned his attentions to the more celebrated Aztecs. They even have the NAME of the guy who founded the Meztizo race that comprized most of the population of Latin America. The first Squaw Man. The huge figures show a giant, curly haired Spaniard (or possibly Jeus or Hippie) on your right, his breast opening as he offers his spinal column up (or is it a chain of DNA?). On the left side a very Mayan woman with super nice tits (as usually depicted by these nature-loving souls) is also disemboweling herself. (This is nothing compared to the Mayan art, where all sorts of atrocities take place and you don't know whether you're seeing cosmology, bizarre sex, or massacres.) In the middle, a beautiful child sits, looking pretty Western, actually; international diapers commercial potential,corn in his left hand and a book in his right, heir to these two such diverse strains of blood. It's pretty nice actually. People here in the South seem more relaxed about Indian heritage than in the North, but everywhere in Mexico it's a major neurosis. They want to claim the glories of the past, but nobody wants to be an indio. They want to trace themselves back to European nobility, but the canquistadores are rapist assholes. Not that that's totally a bad thing: the standard Mexican term for "scoring" with a woman is "conquistar". So they get a little confused. But the government is wholeheartedly in support of Indian culture. Not that you'll see many people of indigenous blood in the government. Talk to the Zapatistas about that one. It's a neat style of art, a very Mexican form of modern/ancient/post-socialist. There are other less scrutable pieces around the area-one seems to show an overtime victory by the Chicago Bulls over the Forces of Mordor officiated by satanic astronauts, but I might be a little off on that one.
Leading us (both geographically and thematically, you'll notice) to the Fine Arts Center, a fine, functional building in constant use and dominated by similar artistic mestiza. My favorite shows a Mayan God squatting between huge lines of Mexican men and women with mantillas and machetes, the rows receding like the multi-Gods on Hare Krishna art. Again, the ancient reproduced and interpreted through modern eyes for modern sensibility.