Hôtel de Chenizot
51, rue St-Louis-en-l'Île
It is hard to miss the intensely Rococo façade at no. 51, as you walk down rue St-Louis-en-l'Île. The wild-man mascaron mask that decorates the gorgeous foundry balcony held up by a pair of impossibly delicate and elaborate spread-winged dragons will grab your attention at forty paces.

Rococo riot grabs hold of you
This hôtel particuliére, or 16th century mansion, is named after Jean-François Guyot de Chenizot, a tax collector who acquired the residence in 1719. In 1726, with the help of his architect : Pierre de Vigny, he was responsible for the over-the-top Rococo remodel. While Voltaire and Rousseau wrote of man’s necessary freedom, architecture changed to complement the new ideals. The refined, nature-inspired curves of Rococo became extremely popular.

pot-bellied dragons hold up a delicate balcon
Chenizot’s design choice just only begins at the entry portal. Mascarons, seashells fans and delicate vermiculated rustication also embellishes the interior courtyard walls. In spite of the effusive curvilinear styling of the applied décor, it still feels fresh, fashionable, and sensual after so many centuries.

Is the man on this mascaron the happy tax collector Chenizot ?
Following the trail of a red scooter, parked within the courtyard, I was able to walk in and admire the overall lines of the building, although some of the sections were sadly dilapidated. In the back of the court were two understated store façades, where I found that the owner of the red moto is working. He said that some of the ancient hôtel was being slowly refurbished by the owner and the commercial renters. His place of business was called "Presence", the number #1 high-end audio/video retailer in France.

compelling courtyard
At the corners of the courtyard, if the doors are open, you may be able to view one of the staircases and elaborate handrail that was preserved. I was thrilled that one of the doors was open and I was able to peek in to admire the ornate design in person, after only seeing the handrails immortalized on film by Eugene Atget. Although it was the less ornate of the staircases, (the dragon staircase door was locked tight), you may be luckier should you pursue this quest.

sundial
But within the courtyard, I was able to observe an 18th century meridional or sundial with an unusual tripod gnomon. Being an all too frequent Parisian-grey day I may have missed this practical ornament, as it blended into the façade from the courtyard below. But at the first peek of the sun, I snapped a quick photo.

Tous ce qui peuvent être trouvés n'importe où peuvent
être trouvés à Paris
All that can be found anywhere can
be found in Paris. —Victor Hugo, 1881
Although all this Rococo embellishment was lovely, I was weirdly enchanted with the courtyard pavers that were covered by the autumnal remains of a sweet green moss. It was hard not to think how the beauty of the natural world always surpasses what man manages to create.
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