For the Blonde, a trip to Geneva is a trip home. Bar a year or two on either end, her childhood and sizeable chunks since have been spent living in the pretty French villages of the Pays de Gex, a wrong turn under the airport runway away from the city itself. We fill most visits with long lunches in the Jura mountain restaurants, catching up with friends in village bars and the odd lung-cleansing burst of activity. What we don’t do all that often is go into Geneva. This entry is an attempt to explain why.
My first visit to the region coincided with my proposal to the Blonde, and she enthusiastically endorsed a trip to the city to buy a ring. There’s a funny thing. Central Geneva does not lack jewelers, and we set about the hunt with perky enthusiasm, flush with romance and a recent pay rise. My perkiness did not survive the day fully intact. A couple of the less pleasant lessons we learnt were:
1) There is a noticeable difference in what constitutes "good taste" between Geneva and, well, us. Bling is standard; big gold, huge gems. Showy good, subtle bad. This made finding something the Blonde could wear without developing a tilt to the left something of a challenge.
2) It appears that the job description for a Genevois jewelry shop assistant includes the requirement to be an unbearable snob. It was a pleasant sunny September day, and we were dressed in what I like to describe as summer holiday casual. Our polite inquiries at a number of shops were met with a caustic head-to-toe inspection followed by a frosty, "Non."
Eventually, a discerning shopkeeper decided they might like to sell something and deigned to trade with us. The ring was duly selected, held to be tres jolie et tres discret in Genevois jewelry parlance (literal translation, "Small and cheap – how will anyone know how rich you are?") and paid for. We were then able to concentrate on the much more straightforward business of purchasing cow-based souvenirs, chocolate, and efficient timepieces.
Subsequent visits to the centre of Geneva have been few and far between. The city is not rich in must-see monuments, buildings, or parks. The setting is pretty special; Lac Leman, Mont Blanc, and the Alps rising to the east and the Jura to the west, but these all cry out for you to leave the city behind and dive into the backdrop. The Jet d’Eau is a big spout of water. Sure, it possesses a simple elegance and you have to admire the gall it takes to turn a pressure-release valve into a tourist attraction, but the Eiffel Tower it is not.
Geneva has a rich history in terms of its place in sociological, philosophical, and scientific progress. Links with Rousseau, Calvin, and Voltaire are all played up, and Geneva’s position as a focal point for Reformation is undeniable. The legacy of this is well represented in the city’s museums but is lacking the levity or visual beauty that the average visitor is seeking. Geneva is arguably better known for what is there now than its past. Many worldwide bodies, symbols of successful international cooperation, have their headquarters here. The European headquarters of the United Nations and the Red Cross are two of the best known, and alongside, and under, them can be found such organizations as CERN, the international particle physics research institute; UNICEF; the WHO; and the ILO (International Labour Office), amongst many others.
This multinational nature coupled with natural Swiss reserve means that Geneva, to my mind, lacks personality. It has a French feel but lacks some of the joie de vivre one might expect to find. Surrounded as it is by breathtaking natural beauty, the city would have to work hard to compete as an attraction. Instead, it accepts its place as a calming venue for the world’s diplomats, scientists, and bureaucrats to go about their business, and as a super-efficient gateway to the Alps and the Juras. One of the side effects of years of diligent neutrality possibly? Orson Welles’ character hit the nail on the head in The Third man.
"You know what the fellow said: In Italy for thirty years under the Borgias they had warfare, terror, murder, and bloodshed, but they produced Michaelangelo, Leonardo Da Vinci, and the Renaissance. In Switzerland, they had brotherly love--they had five hundred years of democracy and peace, and what did they produce? The cuckoo clock."
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