The Music Center is Los Angeles’ theater central. If you want to see a play, you get a ticket from either the Ahmanson Theatre (usually Broadway musicals) or the Mark Taper Forum (new plays). The Kirk Douglas Theatre is the new theater in town. Like the Mark Taper Forum, this theater also develops new works, but unlike the Taper, it also develops plays for the youth. (The Music Center has a
subscription for parents and their children.) This is the Kirk Douglas Theatre’s premier season, with four plays and two additional plays specifically created for children. My friend and I decided to subscribe to the previews to save. We ended up seeing some great shows so far -
A Perfect Wedding was a modern-day version of Shakespeare’s
A Midsummer Night’s Dream. Our second show was
The Paris Letter, with a great cast: Neil Patrick Harris, Lawrence Pressman, Josh Radnor, Ron Rifkin, and Patricia Wettig.
This play is not suited for children or those who do not want to see nudity. I saw "Doogie Howser" in the flesh (Neil Patrick Harris). What a very different role for him than Rent! Several people left because of the intense content of the play. I have to say that of the plays that I have seen this season at the Music Center, this had real bite. Too many plays are filled with nothing but fluffy song and dance, with no actual content. This play was about how one man threw himself in the closet, and eventually, the closet was no longer able to hold him or his homosexuality.
I noticed that in two of the four plays that I have seen, homosexuality was a theme in both. I wonder if that is the theme for this season—exploring the idea of what is gay. I have to say that the acting in The Paris Letter is wonderful. All the actors did a great job. Since it was the previews, I expected a mishap or two. I only saw one—during their curtain calls, they seemed a little befuddled on when to simultaneously bow. I suppose they did not get any sort of instructions on how to do them. Then one actor almost left before the final bow and missed it. He then bowed awkwardly by himself a moment afterwards. If that’s the only mishap, then they should have a great run. I expect great reviews of this play in The LA Times.
Afterwards, when my friend and I were walking to the parking lot, Neil Patrick Harris came storming by us. We wondered why he was in such a hurry. He looked kind of angry. I wondered if he was mad at missing the bow. Or maybe he had heard our conversation about seeing the two actors (Harris and Josh Radnor) completely nude? I suppose we need to be careful of our conversation since the patrons and the actors park in the same lot. Or park elsewhere.