A new beginning for the Children of Africa. – page 2
A blackened stage, a time before time began. Your senses are impregnated with one view. There seemingly hanging in space is a relief map of the African continent, where all life began, where time began.
Slowly this sleeping giant awakens. A slow beat of a solitary heart is heard in the distance by the beating of a drum. As the drummer continues the words are repeated "this beautiful, beautiful, beautiful country, South of Africa."
Man then conquers and becomes the warrior of the land. The words of the song state "When the Sun first rose, it found us awake and waiting. We rode the wind, we silenced the hurricane. Look at us
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A new beginning for the Children of Africa. – page 2
A blackened stage, a time before time began. Your senses are impregnated with one view. There seemingly hanging in space is a relief map of the African continent, where all life began, where time began.
Slowly this sleeping giant awakens. A slow beat of a solitary heart is heard in the distance by the beating of a drum. As the drummer continues the words are repeated "this beautiful, beautiful, beautiful country, South of Africa."
Man then conquers and becomes the warrior of the land. The words of the song state "When the Sun first rose, it found us awake and waiting. We rode the wind, we silenced the hurricane. Look at us, we have been here before."
Out of any Garden of Eden must come conflict and this is heightened by the presence of a warrior, joined by a woman and a second warrior trying to become part of the twosome. Thus is born the stick dance. It is a rite of passage for the man. Using sticks and the stamping of feet leads to the building of a fire and man’s survival.
Even early man recognized in his need that there is a higher being to give thanks for his blessings. To express that the fireside chant "kealebogo" came into existence.
Searching for their roots even as early man began there was that need to know about the past and the future. Each one was asking the other – "where are you from – where are you going to?" – The solitary flute awakens all in the song "Inyoni Yophezulu."
This theme continues to build with the addition of more pipes and mbrias. Finally the crescendo cumulates with the wail of the saxophone bringing us into the twentieth century.
Quickly the scene evolves into Sophiatown. The rhythms are created the same traditional way, with tapping replacing drumming and the saxophone replacing the pipes.
The only visible fire is in the enthusiasm of the men and women through their energetic music and dance. This carries on though out the night until a lone woman appears looking for her husband. She pleads with him to come back home in the song "Buyani Madoda."
He does not respond and ends up in jail. Here another struggle emerges once again. Man verses man. Coming for different worlds, having different values, wanting different goals, the struggle continues. Testing each other through feats of strength the two men resolve their differences.
And the journey continues in part three.
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