So, You want to go to Prague?

The Hrad is imposing and immense. See it as slowly as you can, or in two visits. So you won’t miss what you planned to see, bring a Hrad map with you.

St. Vitus Cathedral is a must. Its sooty exterior symbolizes much of Prague where beauty has often been buried by the neglect of foreign overlords. Its dark interior discloses its 900 years and more of history.

Old Town Square is full of hustle and bustle, but great for people-watching and architectural feasting.

Wenceslas Square is a beautiful promenade and justifiably crowded- enjoy the hub!

Visit the synagogues and Jewish cemetery very early or very late. The Jewish Museum draws slews of tour groups so you need time to visit this site carefully.

In a city of bridges, The bridge to visit is the Charles, of course. The statues, the vendors, the views up and down the river-all serve as magnets on this pedestrian-only bridge.

The City Museum's Langweil model of early 19th century Prague and its artifacts of ordinary people in Prague's past was a "show-and tell" display of the city's history.

Stroll around Mala Strana and go far enough north to uncover the treaures of the embassy district...something that we unfortunately missed.

Shopping for a garnet birthstone ring was a pleasant, though diconcerting, experience. Daily I am reminded of the city where I most felt like the kid with his hand in the cookie jar who was forced to take his hand away.

Quick Tips:

Before you go, purchase a good map (one with most of the streets on it). If you’re planning to rent an apartment, as we initially attempted to do, you will need a map for locations. Luckily, I secured one published by Dai Nippon, Hong Kong, based on a Falk Verlag. It was .95, from Barnes & Noble (0841606013). We also printed out copies of the Metro, tram, and bus lines from the net. Somehow, the presence of all those clotted consonants in Czech made street name reading at first very difficult. Using the map at home while preparing for our trip, helped us become familiar with ulices and namestis, what they meant, and where to locate places easily despite the language differences. Avoid slick "tourist" maps; test the map you get, as I did. When I discovered the first map I had did not list many of the streets, but was "simplified" for tourists, I found the one we really used. Prague is confusing enough with its plethora of interesting sights; you don’t need the handicap of a bad map to confuse you further. take a look at www.sweb.cz for a virtual city tour.

Best Way To Get Around:

Trams in Prague are great for people and sight watching and are cheap, fast, frequent, and efficient. We used the Metro less than trams, to get from section to section, so closures of the Metro that occurred because of the August floods would not have hurt us. We took the 22 tram to the castle and it didn’t seem at all like the guidebook descriptions of it as the "pickpocket express." Several people gave us help by gesturing to us when we neared our stop.

By far, the superior way to appreciate Prague is to walk a LOT. Use trams or metro to get from section to section, and then explore that section by foot as much as time and energy permit. There are only 3 metro lines, A, B, and C, and yet it’s a good idea to have a small metro map with you when you get tired so you can chose the line that will have a stop nearest to your accommodation. Check www.dp-praha.cz.for the City Transport web site as parts of the Metro are still closed. There's an English button; don't panic. Just press it.

The Hrad is an impressive and immense expanse, and it is all too easy to miss what you planned to see. Additionally, the presence of crowds induced us to rush along and, at times, overlook sights in order to escape to more quiet parts like the Old Palace balcony. We should have brought a Hradcany map we had printed from the website with us so that we didn’t miss the sections of the National gallery that are in the castle area.Check the web site, www.hrad.cz; it's really good. Additionally, we did not read the Prague Card booklet carefully.

It is IMPORTANT to realize you can revisit the Castle area and your admission is good for three days EXCEPT for St. Vitus mausoleum, choir, and tower, the Royal Palace, the Basilica of St. George, and the Powder Tower, all of which can be visited only once with the Prague Card. However, only St. Vitus charges admission, which, at 120 koruny in high season, or 60 koruny in low, amounts to less than $4.00 0r $2.00 respectively. The above stipulations as outlined in the Prague Card booklet make it "clear", I think, that puzzling contradictions in policy still prevail as the Czechs strive to accommodate Western tourism standards.

Following the path of least resistance, we just followed the crowd to St. Vitus Cathedral. The first surprise that hit the eyes was the ebony exterior. We shouldn’t have been that surprised except that none of the photos we had seen in guidebooks showed St. Vitus as it is, a victim of neglect under Communist rule paralleled in our previous experience by a visit to Magdeburg, Germany in 1992, where we saw a worse example, the once-magnificent Magdeburg Cathedral, also black outside but also, unlike St. Vitus, stripped in its interior, a ghastly, denuded remnant of glory. Here, as elsewhere in Prague, at the back of the Cathedral, excavation was going on.

In the Cathedral interior, it is very dark in the areas not adorned with stained glass windows. Several photos we took were so dark we could not recognize later where they were taken. But, the Wenceslas altar in all its golden and bejeweled glory is certainly stunning. Also memorable was our visit to the crypt where Charles IV and the Hapsburg Rudolf II, the monarchs during Prague’s two "golden " ages, are buried. I noted that the great Charles had acquired four wives buried here all in one sarcophagus! The musty air conveyed to the senses that indeed St. Vitus and the castle complex is nine hundred years plus old, though not as old as Vysehrad, we were to discover. The last reconstruction of the Cathedral did not end till 1929, so what visitors see is the accretion of centuries that makes Prague such a delight.

The Czechs have striven to restore their magnificent buildings, yet one can see much that needs to be done. For example, in the stately Vladislov Hall in the Old Royal Palace, you can see holes in the aged wooden floor here and there. Many have trod here before. The Riders’ Staircase that provides one entry into this storied hall where presidents have been elected reflects the days when jousting was held in the hall because of inclement weather outside. So these floors have survived despite past and present abuse. Certainly, the tourist hordes complicate what must be the ambiguously difficult challenge of maintenance, for tourism has provided the fledging Republic with money to restore and rebuild--a Catch 22 if there ever was one. Its vaulted ceiling and sparse spaciousness impresses you with a consciousness of its age.

Throughout our visit to the Old Palace, from the Ludvik Wing to the Land Rolls Room to the All Saints’ Chapel, we were struck with the darkness of these rooms and with historical reverberations. I recalled the accounts I’d read of the defenestration into the moat of Hapsburg officials who had angered the provincial Czechs, as I looked at those windows in the room with the throned seat of power. Days of imperial glory and days of provincial oblivion have marked Prague’s fate. Much of what the visitor sees must speak for itself; I feel strongly that reading about Prague’s history beforehand is necessary to fully appreciate what you see at the Castle.Just keeping the defenestrations straight is a job. The one from the Councillors' Room marked the beginning of the ruinous Thirty Years' War,an event well depicted in the City Museum.Reading sources I found useful for history were "Prague: Bohemian Rhapsody," a Passport Book by Roberta Bromley Etter, a photojournalist who lived in Prague for several years. Her book intersperses many color photos and maps with very solid, direct historical information,and several excerpts from Czech writers. Solid on history and fun to read is Sadakat Kadri's Prague in the Cadogan "Prague Budapest."

One of the surprises here is the presence of gardens that allows for breathers between explorations. And the views from the Hrad are breathtaking even when enshrouded in mist as the views were in October. This site is again a seat of real power; on the day of our visit, you could see evidence of the business of government going on, with some areas inaccessible to tourists, and gentlemen with briefcases in tow scurrying in and out of beautifully restored buildings. We did see the changing of the sentries, although the photo is a blur due to their quick pacing. Their spiffy, subtle blue uniforms, designed by the man who designed the "Amadeus" costumes, compliment their mostly youthful faces.

Old Town Square (Starometske Namesti) should be one of the sights you see if only for people-watching, but also we found that watching the blacksmith’s work was absorbing and that, every now and then,it was fun to duck into a side-alley and discover what was there. Also, such zig-zagging gave us temporary relief from the press of tourist crowds in late October. Concert hawkers brandishing flyers were everywhere; the atmosphere was a bit carnival. We enjoyed watching the carriage driver take a photo break and so we also took his photo. We loved looking in at shop windows just to see how aesthetically items were arranged for sale. We paused and considered stopping at one of the many cafes that line the sides of this historic hub, but the sheer numbers of people already patronizing them, made us defer from indulging in a snack. The array of caps, er, hats for sale also got our attention.

Dominating this spot, the Astonomical (or as some argue, Astrological) Clock of Old Town Hall warranted photo-taking, but we did not stay for the hourly display of its dazzling parts in motion. Already partially obscured by others waiting to see this display, the clock is, indeed, beautiful, so my husband persevered and got some good photos of it from different perspectives. Since it is nearly seven hundred years old, the clock is really worth seeing for its plant and animal carvings represent masterly craftsmanship. And it really is an astrological, not astronomical, clock with its 12 signs of the zodiac. Later, we were to see the original calendar face of this clock at the city Museum. We did not take the guided tour of the Town Hall as its entrance was already stuffed with fellow tourists waiting to enter.

Other notable sites here are the Church of Our Lady before Tyn (Gothic) and the baroque Church of St. Nicholas. And, of course, there's the Memorial to Jan Hus,smack dab in the middle of this square, which more accurately conforms to one’s expectations of a "square,’ than Vaclavske Namesti does,and it attracts the highest crowd concentration. History is all around you in this square, but, if you dislike crowds, as I do, you only look at the exteriors. Fortunately, the exteriors are magnificent. The visitor should not miss this site because it juxtaposes so dramatically in miniature the old and the new, in a space more concentrated than Vaclavske Namesti.

St. George’s Basilica, in all its Romanesque simplicity, struck us as a glorious gem of "less is more." Prague’s architecture often super-saturates you with its abundance of baroque (a synonym for ornate) and the neo-Gothic "restorations" the Czechs effected during the Nationalistic Revival of the late nineteenth century. Its ornate exterior contrasts with the austere simplicity within its narrow interior. Well-lighted, its walls seem to glow and the lacy balustrade of its loft dramatically strikes the eye. Because of its narrowness, its capacity is limited, and it felt crowded, so we didn’t linger there and completely missed seeing the adjoining convent with its early Czech paintings, one of the many sections of the National Gallery in the Hradcany.

Instead, we followed the crowd to the Golden Lane, where sharpshooter-defenders and goldsmiths had dwelt, passing right by the Alchemist’s Tower(which I had planned on seeing), which is just to the right in our photo of the lane. Then, we drifted to steps where we encountered the "new" Republic of individual commerce offering souvenirs and a dizzying assortment of glitter emulating a Western souvenir shop mecca but on a small scale and with products very artfully arranged. The puppets and marionettes were particularly tempting! This surprisingly astute way of separating the new commercialism from the hallowed and old struck us as fitting a people proud of their cultural heritage and careful not to sully the Cathedral and governmental edifices with too much proximity to souvenir stands.

Hradcany requires at least two visits of three or so hours each, I would advise. Consult a Hrad map often or you’ll miss some of the sites you’d planned to see. Explore Hradcanske Namesti and the Sternberk Palace with its collection of pre-nineteenth century art, and then, proceed to Loretanske Namesti and the treasures of the Loreta, both of which we missed by being sheep and following the crowd out through the southeast steps. The Hradcany area downhill from the castle is an area we regret we didn’t see.

Our first stop the morning after our late night arrival in Prague was Wenceslas Square where the only American Express office in Prague is located. We were unprepared for the expansive boulevard that confronted us. " Square" connotes a place smaller and less panoramic to us than Vaclavske Namesti is. Despite the crowds that thronged it, its charm overwhelmed us. Flowers bloomed in the medians amid an autumnal, misty morning. After walking many narrow streets to arrive there, its immensity caught us with surprise at its panoramic dimensions. You want instantly to take many photos of it. Of course, my eye sought out the Hotel Europa, the Grande Dame of fin-de-siecle hotels . Yes, submerged glory waiting to rise to a repolished surface, clicked my brain as I spotted it across the square. Soon I hope, murmured my heart.

But, sadly, we didn’t explore the hotel’s ambiance because we had just become separated from our son who was to spend the rest of the day in Prague with no transport card and token Czech money in his pocket! That’s how crowded the square was. With anxiety, we went to the Amex office to get Czech money, the all-important Prague Card, the 3-day transport pass, and especially the useful booklet that accompanies the Prague Card. Without it, we would have never known about the Technological Museum and been able to navigate the rather labyrinthine way to it. Although I had read several guidebooks on Prague I found most inadequately prepared a visitor for coping with Prague’s treasures. Although Prague has become an immensely popular tourist destination, many guidebooks provide inadequate information about the city primarily because it is so packed with still hidden sights that the Czechs have not blatantly advertised.

Understandably, Prague’s release from Communist domination has colored most recent depictions of it, and guidebooks have tended to emphasize its late twentieth century transformation, especially at Vaclavse Namesti.

After our stop for wherewithal, we, of course, rushed like lemmings to the Hrad. At day’s end, we reconnected with our son at our hotel. He was limping from his long-range walking about this magnificent city and did not recover for almost a week. Prague can have that "must-see-it-all-at-once" effect on you. Yet, I think its joys reveal themselves to those who see it by simply strolling its byways, not just its main streets and squares. Visiting off the beaten path museums and sights not frequented by crowds (in Vysehrad, Mala Strana, Holesovice) allowed us to appreciate that seeing Prague’s "lesser" sights whets the appetite for a return visit . Prague is more than just its "top sites", like this historic square.

Garnet is my birthstone; the Czech Republic’s mines near Teplice produce it and it is one of the country’s chief exports. After our Jewish Museum visit we were near Dlouha, where Grant Turnov, the outfit most guidebooks had cited as "reliable," has a shop. Apparently, "fake" garnets abound, especially on offer to tourists. With the garnet ring I eventually bought came a certificate from the shop that asserted its authenticity. The tiny, neat shop was staffed by one clerk, an English-speaking, attractive lady who applied no pressure as I scanned the trays of available rings. I picked out a deep red garnet set in a round, cameo-like, notched border.

Only after the sale did she off-handedly mention that this particular garnet came from India. A little crest-fallen that my ring was technically not from the Czech Republic, I decided I was still satisfied with it because I liked its styling. Its price? - about $35.00. Whenever I look at it now, the ring reminds me of our all-too brief Prague encounter that intrigued me and left me wishing we had been able to stay there longer.

I have since done some research on garnets (which I should have done before our visit) and found out that not all garnets are red. Uvavorite is always green. Garnets can be colorless, or yellow, orange, gray, or even black or pink! The garnet is the Republic’s officially designated national gem, and Czech garnets are pyropes, whereas those from India are mostly almandine. Czech and Indian garnets both are red, from a ruby to dark red in hue. For a full discussion of garnets, check out www.mineralgalleries.com. and for glance at Granat’s catalog, refer to www.bohemiangems.com.

On our third attempt, around 3:30 in the afternoon, we finally visited the Jewish Museum, that is, parts of it that are adjacent to the Jewish Cemetery. We did not visit the Spanish Synagogue, nor the Maisel - both a few blocks away, though not in the same direction. The ticket sellers didn’t volunteer this information because of the language difference and also because they were constantly busy handling the influx of tourists even that late in the day. Locate both on the map and plan ahead for how to see them as we were unaware both are included in the pricey admission (Prague Card does not cover them).

Most of the day, tour groups en masse clogged the narrow entrance to the Pinkas Synagogue that I felt, as well as the adjacent cemetery, best focused for the visitor the plight of Prague’s Jews, crammed into the severely restricted section of Josefov, named in hindsight for the Hapsburg ruler who allowed Jews some freedom within limits after a previous expulsion had showed their commercial talents were missed.

For the non-Jewish visitor, seeing the names of those exterminated by the Nazis that cover the walls inside the Pinkas, and then seeing the incredible pile-up of gravestones tilting on top of one another outside in the cemetery, portrays the precarious status of Prague’s Jews through the centuries. Unfortunately, during the recent August floods, many of the victim’s names and dates, as well as community origins, were obliterated, and the Pinkas had to be closed to visitors. Previously, I had read that when the "exterminated" list of Nazi victims we viewed on the Pinkas’s walls was done the last time, Communist leaders blocked it from completion for several years. The recent floods underline that Prague’s Jews were relegated to what was a less desirable, lower section of the city. Through the centuries, Prague's Jews faced oppression by fellow Czechs, Hapsburgs, Nazis and Communists!

The staircases within the Pinkas are very narrow and much of the Judaica presented will have special meaning only to Jewish visitors. But the Terrezin concentration camp drawings of the children confined there have universal appeal to all those who love children and lament the appalling arbitrariness of their destruction. You’ll remember the walls of names, gravestones topsy-turvy over each other, and the childish exuberance of these drawings because they all attest to the power of hateful might. Ironically, the Nazis preserved the artifacts we see today at the Jewish Museum. They planned to use these artifacts for a "Museum of An Extinct Race." Instead, these objects gathered from all over the Republic today offer "proof" that the Holocaust really happened. Check this website for more details, as Pinkas is due to reopen in August, 2003.

The easiest way to get to this beautiful Renaissance-style building is to take Metros B or C to the Florenc station, and then walk one block north. We approached it from the east because we had been shopping for a converter in the Na porici area. We spotted a McDona