This peaceful village’s name is a corruption of the Tibetan word Dhuche that means "land of abundant grain" and this was once the center for the salt trade where salt from the Tibetan plateau was exchanged for grain from the lowland farms of Nepal.
The main part of town is clustered around the large square to the north of the settlement and it is here that you will find many of the old merchant houses with their intricately carved windows and balconies. On the eastern corner of the square is the cute little Gompa Samba ("New Monastery") built in the traditional Thakali style the Nyingmapa temple contains a statue of Padmasambhava and a fabulous mural of the sixteen disciples of Sakyamuni. Outside is a curious circular mani wall with a banyan tree in the center. Just off of the square is the Kyupar Gompa ("Monastery Between Two Rivers") this working Nyingmapa gompa was relocated here in 1984 and is home to a lama, a dozen monks and some fine murals.
The 200 year old house situated at the southern edge of town is the family home of the powerful Sherchan clan and served as the customs post from the 19th century when a member of the family was given the position of subha ("tax collector") by the government. It now houses the Tukuche Distillery where you can taste the apple, apricot, peach and carrot brandy churned out by the proprietress Kalpana Sherchan, and admire the beautiful carvings of this grand Thakali home. Next-door is a dilapidated gompa founded in the 15th century by the Kagyupa sect as the Tashe Cholin Gompa ("Isle of Blessing Monastery"). It was renovated in 1836 by Subara Prabha Devi Shah, the second wife of King Rana Bahadur Shah, from whom it takes its modern name Rani Gompa ("Queens Monastery"). It under went further restoration in 1963 by local villagers who converted it to Nyingmapa sect but it has since been allowed to fall into disrepair again.
Nearby is the Mahakala Gompa founded in 1930 and originally dedicated to the three Buddhas, this Nyingmapa temple is now dedicated to Mahakal, a Hindu deity who has been absorbed into the Mahayana pantheon as one of the eight terrible deities and the defender of law. He is traditionally portrayed as dark blue in colour, with long fangs and a pot belly, dressed in tiger skins and carrying a trident and a skull bowl, although whether this is true of the icon in this temple I don’t know as it is kept behind a curtain in the belief that any visitor who looks upon it will die.
The village oozes faded glory with its crumbling gompas and regal dwellings and is well worth breaking your journey for on the way through.