Editor Pick
Ground Zero
- February 5, 2008
- Rated 3 of 5 by
Safiri from Decatur, Georgia
It's hard to say if this counts as a sight at the moment. Until the city of New York finally finishes wrangling and builds something at Ground Zero, what people go to look at there is an absence: a huge hole in the ground, several hundred feet deep, surrounded by a chain-link fence.
For people who saw the Twin Towers while they were standing, the sight has to be impressive: they were enormous -- not very beautiful, but very large, and their absence is shocking; the volume of material that had to be carted away is staggering. For people who never saw the Towers, the size of the remaining hole gives a sense of their scale: larger than most city blocks, several stories deep, with, at least last time I was there, rubble still in evidence. It's a distressing sight, a vision of waste and destruction.
There's a timeline posted on the fence around the hole, detailing the order of the events of September 11th, 2001 -- the one day, not the events leading to it or the events which followed, which would be impossible to put on a public memorial without stirring up endless controversy and outcry. That absence, too, is striking: for a moment, the former site of the Twin Towers ceases to be a symbol (of American supremacy, paranoia, innocence, or guilt; of terrorist perfidy or power; of the Bush administration's confidence, incompetence, or impotence; of the city's failure to protect its citizens or of its duty to the future; of the casus belli or the locus of misinformation; of all the myriad things for which Ground Zero is constantly invoked) and becomes a plain reality.
Twenty minutes of staring at the hole and contemplating your mortality should probably be sufficient, though visitors passionately interested in geopolitics, nationalism, or seismic architecture might take longer.
Any subway to Lower Manhattan will take you there, though some stations remain closed for reconstruction. The 4, 5, J, M, Z, 2, or 3 to Fulton Street or the A, C to Broadway/Nassau St all work.
From journal Big Attractions in New York