Thorvaldsens Museum

jim
jim
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5 out of 5
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3
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Thorvaldsens Museum

Thorvaldsens Museum

This wonderful museum is home to the vast collection of Bertel Thorvaldsen's amazing sculptures and drawings. The most well known works of art are his Christus statue of Jesus Christ and the original twelve apostles which can be found here. Most of the collection consists of the plaster models which were the basis for his final sculptures often done in marble. The plaster is dark and dingy from the air pollution and aging; however, all the sculptures are very beautiful and worth seeing. The collection also includes objects from the Greeks, Romans, and Egyptians as well as paintings, medals, and other artifacts.

Plan to spend up to two hours touring this museum. As most museums in Denmark you must place your bags in the lockers at the front door. The admission price is up to 20 DKK and they are open until 5 pm. The staff was very friendly and helpful. Guided tours are also available. Check out their website to learn more!

Thorvaldsen Museum Website

From journal Copenhagen, Denmark and Malmo, Sweden

Editor Pick

Thorvaldsens Museum

  • February 9, 2005
  • Rated 5 of 5 by Owen Lipsett from Philadelphia, Pennsylvania
Thorvaldsens Museum

No artist’s work better reflects the dominant neoclassicism of Copenhagen’s architecture than that of the sculptor Bertel Thorvaldsen (1770-1844). Although he spent the majority of his career in Rome, because of the wealth of classical antiquities (and commissions) available there, Thorvaldsen remains beloved in his homeland. His native city of Copenhagen is blessed with many examples of his work, a great number of which are contained in this museum, which was built to display the collections he donated to the nation upon his death. Thorvaldsen returned to Copenhagen for good in 1838, to considerable acclaim--an event commemorated by Jørgen Sonne’s frieze of locals paying him their respects on the occasion, which wraps around the building’s exterior.

Although not well-regarded and even less known by today’s museum-going public, Thorvaldsen was regarded by his contemporaries as Europe’s finest sculptor. He executed a wide variety of commissions in an heroic style intended to recall the monumentality of ancient Rome for Europe’s elite, perfectly complementing the conservative attitudes that were prevalent among them during one of the most reactionary periods in European history. Although Thorvaldsen was a Lutheran, his finest work is to be found on the tomb of Pope Pius VII in St. Peter’s Basilica in Rome, although he also sculpted Christ and the Apostles for Copenhagen’s Vor Fruer Kirke. I found the museum’s "Christ Hall," containing the casts for the latter commission, to be the highlight of my visit.

The museum’s neoclassical architecture and its location on Slotsholmen, Copenhagen’s very heart, fittingly depict Thorvaldsen’s role in decorating the key institutions of his native city during its Golden Age and his closeness to those in power. Large galleries at the two ends of the museum contain studies for his more monumental works, while the hallways between them (as well as additional galleries behind these) contains a virtual "Who’s Who’s" of Europe’s key figures from this period. Thorvaldsen’s style, while attractive, can appear monotonous, but the sheer variety of individuals represented, from Bonaparte to Byron, more than compensates for any such dullness. The upstairs galleries contain his collections of antiquities and some of his paintings (including more than a few self-portraits.)

Although regarded by some as a genre sculptor at best and an artistic Talleyrand at worst, Thorvaldsen was, in his time, as monumental a figure as any of his works. The singularly appropriate and attractive manner in which they’re displayed here make the museum a welcome respite from the better known attractions in Slotsholmen (and Copenhagen in general) and an aesthete’s dream. Whether you have an interest in his work or not, however, his frieze in Christiansborg Slotskirke, directly next door, makes for essential viewing. Perhaps appropriately, given the extent to which his reputation has declined since his death, Thorvaldsen’s Museum doubles as his mausoleum–-his grave is located in its courtyard.

From journal The Beauty of Copenhagen

Editor Pick

Thorvaldsens Museum

  • February 5, 2004
  • Rated 5 of 5 by jim from Charlotte, North Carolina
Thorvaldsens Museum

I prefer a manageable size museum that can be digested in a two-hour bite of time. I also like the museum to have a bit of character. That said, I really enjoyed the Thorvaldsens Museum.

Bertel Thorvaldsens was a famous Danish sculptor. Although less well known to most Americans than someone like Hans Christian Anderson, Thorvaldsens played an equally impressive role in the cultural landscape. Ironically, he spent most of his adult life living in Rome. But later in life he returned to a hero’s welcome in Copenhagen where he took his rightful place at the head of the Danish art world at the time. His works and the art that he acquired were all donated to his home city when he died, and the Thorvaldsens Museum was built to house it all.

The first thing I liked about the museum was the location. It is located next to the Gammel Strand along a canal. This is a great part of town to visit for all kinds of reasons (i.e. dining, shopping, sites, museums) so the Thorvaldsens Museum is a nice activity to include in the midst of other things. Secondly, the museum building itself is actually quite interesting. The yellow exterior has a series of murals running around the bottom half of the building. It is a building that calls out to be visited.

As I mentioned in the opening, I like a museum that is not too large. This museum has only three levels. The lower level features the artist's early work plus a small display that describes the technique used by sculptors to create their works. This section of the museum is pretty sparse and I was not sure that I would see much after starting on this level. The second level (which is the level you enter from the street) is simply the museum store and the café level. There isn’t much to do here. It is the top level that really brings the museum to life. Even as you walk up the stairs you feel as though there will be much to see (a very large statue greets you midway up the stairs). As you reach the top, you see long straight corridors with statues and sculptures. If this is all you saw, it would be worth the 30 Krona (roughly $5) admission. But on both sides up the upper floor, rooms house Thorvaldsens' personal art collections.

You will find the following:

- Pottery from ancient civilizations including Athens, Corinth, and Etruria.
- Marble and terracotta sculptures.
- Metal ivory bone and glass items from everyday ancient life.
- Gems (used primarily for putting owners seal on things) and cameos (jewelry carved in positive relief).
- An Egyptian collection of small pieces and sculptures.
- Greek coins from 6th to 2nd B.C.
- Beautiful oil paintings from several artists (portraits, pastoral scenes, religious scenes, etc.).

The museum is closed on Mondays.

From journal Eating my way around Copenhagen

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