Santa Maria del Popolo

artslover
artslover
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Santa Maria del Popolo

  • April 6, 2008
  • Rated 3 of 5 by Shetraveler from Campbell, California
You've seen St. Peter's already and are not prepared to deal with the tourist hordes on a hot Summer day. Since Rome is the city of hundreds of churches and chapels, you have plenty of alternatives if you want art with your religion.

The Augustinian church next to the north gate of the Piazza del Popolo, Santa Maria del Popolo (1227), contains works by a who’s who of the finest artists working in Rome at the time: tombs by Andrea Sansovino, frescoes by Pinturicchio, a chapel designed by Raphael, and sculptures by Bernini.

Walk down the nave to the left side transept and you find the crown jewel, in my opinion, of this collection, the chapel (Cappella Cerasi) decorated by two Caravaggio masterpieces: The Conversion [of St. Paul] on the Way to Damascus and the Crucifixion of St. Peter. These two paintings are excellent examples of Caravaggio’s specialty of capturing a single biblical moment in time. Both subjects are the sum foundations (the rock and the seat) of the Catholic Church. St. Paul (then Saul the Pharisee) has fallen to the ground, temporarily blinded, after hearing Christ’s voice asked him “Why do you persecute me?” The muscular St. Peter causes some heavy lifting, as he is hoisted up by three Romans to his requested upside-down crucifixion. The two canvases are housed beautifully within the chapel, a bit large for the space, but still superstars in a gallery of other Renaissance artwork.


From journal Alternative Rome

Editor Pick

Santa Maria del Popolo

  • May 22, 2007
  • Rated 4 of 5 by artslover from Calgary, Alberta
Santa Maria del Popolo

We were headed to Santa Maria del Popolo (Piazza del Popolo 12, open Monday - Sunday, 8am - 1:30pm, and 4:30pm - 7pm), where I wanted to look at two Caravaggio paintings in a chapel near the head altar. This was on Palm Sunday, so I did not want to be one of those unbelievably disrespectful tourists who sightsee during mass. I could not find the mass times, so the only solution seemed to go there.

Of course, when we got there, we saw mass was every hour until 2pm. However, assuming there would be a bit of time between each mass, we went to a nearby exhibit of Leonardo da Vinci's machines and then went back into the church when mass was ending, about 15 minutes before the next one begins.

Fortunately or unfortunately, the interior has a number of interesting works, including a Raphael painting and Bernini statues in the Chigi Chapel, which we stopped to look at, so by the time we were approaching the Cerasi Chapel, where the Caravaggios are, we were barred from going near the high altar.

Later that afternoon, we returned to Santa Maria del Popolo so I could take a closer look at Caravaggio's paintings in Cerasi Chapel, The Crucifixion of St. Peter and The Calling of St. Paul. The works are intended to be viewed from a specific spot to get the best dramatic effects. The photos we took don't do them justice. They have to be seen in situ.

From journal A Week in Rome to Wine, Dine, and Tour

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