The Royal Pavilion was commissioned by George IV when he was Prince of Wales, in 1815. George regularly frequented Brighton, England’s first seaside resort, and as the years progressed, wanted a more fitting place for a royal "to party in." So, in 1815, John Nash was employed to totally revamp the royal residence into a Royal Palace in the style of the Taj Mahal. It was completed 7years later and has remained unaltered throughout its life, ceasing to be a royal property when it was sold by Queen Victoria to Brighton.
Before you enter the lavishly designed buildings, make sure that you enjoy a saunter around the gardens. These have had extensive work done to them over recent years, giving careful attention to Nash’s original design – they are colourful and give tantalising glimpses of the pavilion as you progress, and the view is impaired by the mature plants.
Inside, there are some great rooms to view. The banqueting room, with a massive crystal chandelier shimmering in the light and supported by a fire-eating dragon, is a fantastically "busy" room. The long gallery is more than a "link corridor" and was originally well used as a "play area" for royal visitors. It, too, is lavishly decorated, and we particularly liked the mounted Chinese figures that guard the entrance and the painted glass panels that provide light for this room. Again, a superb chandelier has pride of place.
The music room is another extraordinary room despite two devastating acts of God – in the 1970s, a fire severely damaged the room and its contents, and after a sensitive restoration, all was well. That is, until a hurricane dislodged a stone roof decoration in the late 1980s. Now the room is as described in Nash’s original design. It’s stunning, with superb chandeliers, the brightest of colours, and a hand-knotted reproduction Axminster. Just imagine the king’s own musicians serenading him with the likes of Handel or Bach.
Less ornate but still incredibly impressive is the huge kitchen. The walls are lined with wooden shelving, a mighty "range," and an enormous spit roaster. The high ceiling is support by cast-iron columns culminating in metal palm leaves at the ceiling, and above this is a further space with windows, giving the kitchen a real airy feeling
And, finally, give yourself plenty of time to admire the splendour of the royal bedrooms. The aptly named Yellow Bows Rooms are garrulously decorated in bright daffodil yellow, but they have been faithfully restored using fragments of the original wallpaper to recreate the original setting. The mahogany four-poster in Queen Victoria’s bedroom has been reproduced from the description in the final inventory taken just after Victoria left Brighton. This room has the stateliness and sophistication that you’d expect of Queen Victoria.
And, of course, as you’re leaving the building, you will be able to investigate the pavilion shops – there you might find the odd souvenir or two!