The Pantheon—or to give its official name, the church of Santa Maria ad Martyres- is one of those very old and very unusual buildings that span the gap between faiths, cultures, and centuries. Before I’d seen it, I’d always imagined it to be just another interesting Roman ruin.
But it isn’t. Firstly, it’s not a ruin. Secondly, it’s not just a reminder of ancient Rome- it’s also very Renaissance.The Pantheon is old. Really, really old. Originally a temple to the seven deities of ancient Rome, it was built in about 27 BC by Marcus Agrippa (who, not a modest man, had this achievement etched in large letters across the front of the building, above the portico). Agrippa’s temple survived only till about 80 AD, when it was completely destroyed by fire. In 125 AD, however, the Emperor Hadrian got the monument rebuilt- even going so far in his magnanimity as to get Marcus Agrippa’s pompous inscription etched on it.
Although it’s suffered the ravages of time (and man- marble and bronze were torn off the building to be used elsewhere), Hadrian’s structure is the Pantheon one sees today. In the early years of the 7th century, the Pantheon was gifted by the Byzantine emperor Phocas to the Pope, who consecrated it and made it the church of St Mary and all the Martyr Saints.
We arrived at the Pantheon shortly before sunset and found it brimming with tourists. We spent some time admiring the awesome granite columns of the portico, the obelisk that stands in the piazza outside, and the flattish concrete dome (it was once covered with bronze plates) of the building. By the time we finished, much of the crowd had gone, so in we went, through massive bronze doors that were originally goldplated.
Outside, the Pantheon looks like a typical Roman temple; inside, the ancient Roman style is tinged with touches of the Renaissance. We sat for a while on the chairs that line the walls, and looked around. The circular interior is largely a blend of dark marble, predominantly red, green and brown. Niches along the walls hold Biblical statues, many of them carved by famous Italian sculptors. The tomb of Raphael, for instance, is surmounted by a Madonna carved by one of Raphael’s students.
But most arresting of all is the oculus- the `Great Eye’ of the Pantheon. The oculus is a large circular opening that pierces the centre of the dome, and lets in sunlight (and rain!). We watched the last rays of the setting sun streaming in through the oculus, forming an elongated sphere of light on the floor. We admired the statuary in the niches, marvelled at the sombre beauty of the place, and then, when it got too dark, reluctantly took ourselves off.
Entry to the Pantheon is free. Try to time your visit for when the sun’s high in the sky, so you get the full effect of the oculus. And since this is a church, keep your shoulders and knees covered.