Continued from Templo 2

The Museum building offers a welcome cool atmosphere after the baking sun. Audio sets are available for rent. We didn’t use them, but they will be invaluable to visitors unable to understand the Spanish-only descriptions in this museum. The museum has two things I really appreciate: a well-marked recommended route that guides you through the museum and allow you to see all exhibitions without having to dash to and fro, backtrack wondering whether you are missing something important; and descriptions large enough to easily read from a comfortable distance without having to rub your nose against the wall.

The museum covers much more than just the excavations of the Templo Mayor, although the emphasis is naturally on the local findings. The star attractions are the huge round stone of Coyolxauhqui and the statues of the eagle warriors.

Close to the entrance is a large model of what the total temple complex must have looked like -- there were many other temples in addition to the Templo Mayor. However, the Templo Mayor towered over all and small figures emphasize its size compared to humans as well. Another model shows a cutaway of the Templo Mayor -- after seeing this model it is much easier to understand the archaeological site outside.

Other halls cover the daily life of the Aztecs according to themes such as agriculture, fauna and flora, trade -- they understood globalization even though their world was much smaller -- and several dealing with religious aspects such as rituals, burial and the individual gods.

The most important god to the Mexicas was Huitzilopochtli, the god of war, who also provided blood to the Sun. The latter function required human sacrifices, which kept the Aztec military busy and in control of the empire. One of the shrines on top of the large pyramid of the Templo Mayor was dedicated to this god and his thirst for blood.

In Mexica mythology, Coatlicue was the earth and her children were the stars, the moon (the god Coyolxauhqui) and the sun (none other than Huitzilopochtli himself). However, prior to the sun’s birth, the moon became jealous and incited her brothers the stars to kill their mother and the child in her womb. However, before Jerry Springer could sort it all out, the sun was born fully armed for war and promptly beheaded the Moon and watch her body being dismembered by every twist and turn of it rolling down the mountain. This dismemberment of the moon can be observed during every lunar month or if time is pressing simply look at the carvings on the 8 ton, 3.25'' diameter round stone of Coyolxauhqui.

It was the finding of this stone in 1978, which resulted in the excavation of the Templo Mayor and the opening of this very fine museum about a decade later.

Continued from Temple 1

It was never the intention that any part of the Temple Mayor would ever be seen again and the zealous had success for almost half a millennium. However, in 1978, diggings to install electrical cables led to the discovery of a large round stone carving of the dismembered body of the goddess Coyolxauhqui. Further archaeological excavations followed and resulted in the uncovering of parts of the original Templo Mayor. It has long been known that the pyramids, on top of which the temples were built, were frequently enlarged by adding new layers to the existing ones and excavations at this site revealed the remains of seven stages of construction.

The first part of the museum is these mostly uncovered archaeological excavations -- even in spring, the sun baked down mercilessly. Special elevated walkways lead the visitor through the site with explanations (in Spanish only) at the more important discoveries. Most of the large stone snakes are copies, with the originals inside the museum to protect the stone from pollution.

The first temple was constructed around 1325, but is still buried underneath the second stage, which escaped most of the violent destruction of the five layers above it and is virtually intact. On the right-hand side is the temple to the god of war: here a small black stone can be seen which was used during the ceremonies surrounding human sacrifice. Inside the museum is a display of the obsidian knives that were used to cut out the beating hearts of human sacrifices. Afterwards, the dead bodies were thrown down the pyramids. At the left-hand side of the pyramid -- the side of the god of rain and water -- a chacmool used for more peaceful offerings can be seen. Also note the sloping of what should have been horizontal surfaces -- a consequence of the soft foundations of the island, which led to the sinking of the pyramid over time.

Of the newer pyramids, little remained apart from a few of the original steps, which resemble walls as the dirt between them had been removed. Of the most recent pyramid, the one seen by the conquistadors, only the lower levels remained, including a couple of large stone snakes, frogs, and snaked heads.

The last parts of the excavations are mercifully under cover -- it covers the quarters of the eagle warriors. Some exquisite wall decorations were preserved. Before entering the museum building, note the surrounding "newer" buildings. Construction of the enormous Mexican Cathedral started in 1525 and it is therefore not much older than the final stage of the destroyed temple. Also note the buildings that were literally cracked open by earthquakes -- a natural consequence of the drying out of the lake bed on which modern Mexico City was built.

Continue to Templo 3