User Rating:
Not right?
Results 1-10of 43 Reviews
by tvordj
Dartmouth, Nova Scotia
November 26, 2012
From journal Visiting Italy: Roma
by Red Mezz
Inverness, Scotland, United Kingdom
January 9, 2012
From journal Only the smallest in size...
by JEFF NUNES
Cambridge, Massachusetts
November 16, 2011
by Zhebiton
Moscow, Moskva, Russia
July 20, 2010
From journal Rome is the 3rd Most Visited City in the EU
by artslover
Calgary, Alberta
March 4, 2010
From journal Eternally in Love with Rome's Art, Food and Wine
by morph!
Belfast, United Kingdom
March 24, 2009
From journal Rome - THE Cultural Capital
by pointofnoreturn
Ottawa, Ontario
July 23, 2007
From journal When in Rome...
by phileasfogg
New Delhi, India
September 30, 2006
Someone estimated that if you spent 8 hours everyday at the Musei Vaticani, with a minute at each exhibit and one hour off for lunch, it would take you 12 years to complete the circuit. That should give you an idea of how vast this collection is. It exemplifies the grandeur and the wealth of the Vatican, actually, which is mirrored in the Basilica next door.
But for those who can’t afford to spend 12 years seeing the Musei Vaticani, there’s a shorter route through the top attractions of the museums. We followed the crowd, through a series of rooms, and though we almost certainly didn’t see even a hundredth of the exhibits, we were pretty satisfied with what we did see.
We began with a tour of the rooms that house marble statues from ancient Greece and Rome. Among the most stunning (and famous) works here are the Laocoön Group, depicting Laocoön and his two sons battling sea serpents; the Belvedere Torso; and Perseus with the head of Medusa.
From here, we wandered on, past the Room of Raffaelo’s Tapestries (the tapestries were woven in Brussels based on cartoons created by Raphael); the Room of Maps (a long, airy gallery with frescoes of medieval maps); and the Room of Chiaruscuros. This room, in particular, was exceptionally striking. It was decorated with paintings of people in black, white and shades of grey, and each painting had a wonderful three-dimensional effect that almost made it look like relief.
The `quick route’ through the museums took us past a series of rooms, most covered with murals executed by Michelangelo and his students. En route, we also stepped briefly into more modern times- in the Borgia Rooms, which contain Christian art by masters such as Gauguin, Van Gogh and Salvador Dali- there’s a `crucifixion’ by Dali that’s absolutely mesmerising.
Our tour of the Musei Vaticani ended at its most famous section, the Sistina Cappella or the Sistine Chapel. As just about everybody knows, the walls and ceiling of this splendid chapel showcase the genius of Michelangelo: the Creation of Man, the Fall of Man, the Last Judgement, the Temptations of Christ, and many more depictions of Biblical episodes adorn the room. The colours are vivid, the figures perfectly portrayed, the musculature anatomically correct. And although other masters- including Botticelli and Roselli- worked on the chapel, it’s really Michelangelo who made it what it is.
Photography’s allowed in the Musei Vaticani but not in the Sistina Capella. Also note that since it’s a place of worship, you have to be decently clad (no bare shoulders or knees), and you have to keep mum. Ushers at the door constantly hush the crowds flocking into the chapel.
From journal Renaissance Rome
by Ghost Train Rider
Austin, Texas
May 21, 2006
From journal Rome - Over Too Quickly
by Jose Kevo
Middle-of-Nowhere, Missouri
October 18, 2001
Towards the beginning of the tour on the lower level is an inner courtyard that can't be missed. A good way to find this place is to follow one of the large tour groups that's entering when you do. From what I detected, every group stopped here first as the inner courtyard walls are lined with maps, details and other added information for spending your day within the Vatican Museum. Possibly you, too might find this helpful or link-up with a group and tour guide speaking your language to catch all the extra trivia details they're always so well versed on.
Amid the maps and information, the walls are also lined with benches perfect for resting tired feet and fuzzy minds...hopefully while soaking up the warm Italian spring sun as I did. Whether sitting or ambling around, the views are impressive as works of art fill the exterior...second only to the interior! Most notable are the humongous pine cone, which used to be part of a fountain at St. Peter's, flanked by two bronze peacocks which were pirated away from the Mausoleum of Augustus. Throughout this journal, I've also referenced how ego contributed to the building AND downfall of Rome, but here you'll find the biggest head of all...literally! The colossus of Octavia, mounted against a wall, towers above the meager spectators below.
Another lesser resting place, but just as doable if needed, is an outdoor terrace just of the Pinacoteca Wing which is also near the small eatery and restrooms within the Museum. Here there are benches and shade trees while you can enjoy limited elevated viewing of the expansive Vatican Gardens and back part of St. Peter's.
From journal CRASHCOURSE - Modern Day Gladiator 101