Our first glimpse of the Grand Palace was from the river taxi. Our appetite was whetted and we hurried along the jetty towards the Palace. We had been warned that people would try and dissuade us from visiting by saying that the Palace was closed, but they could take us to other Bangkok sites. This did not happen and we were ushered to the entrance gate by one of the many guides. Remember to respect the dress code (no shorts or skimpy garments).
This is a vast site, and before entering, we marvelled at the colours and variety of the buildings as they were silhouetted against the clear blue Bangkok skies. This sense of wonderment did not leave us from the time we entered the site to the time we departed. At the entrance I stood awe inspired as I was confronted with a mass of gold leaf and immense statues brightly coloured and often grotesque in appearance. All visitors are dwarfed by the grandeur of individual buildings, and like a procession of ants, we all trail round the site, pausing to be amazed by the sight around the next corner.
Make sure that you walk through the cloisters and take time to admire some of the 150 murals that adorn their walls, and consider the story of the triumph of good over evil as told in their allegorical images. Walk around the model of Angkor Wat – it’s the only time you will tower over one of these buildings.
Of course, no visit to the Grand Palace is complete without a view of the Emerald Buddha. You must leave your shoes outside (this is the case when you enter any holy place) and there was a ceremony, which involved a flower and water, that you were encouraged to undertake before admission. Don’t be tempted to photograph this Buddha, as it is viewed to be offensive, but just enjoy the spectacle. This 26-inch jade Buddha, discovered in the early 1400s after lightening struck an ancient "stupa", sits above the ornate wooden throne in the Wat Phra Keo and is viewed as the principal Buddha image of Bangkok. You can actually feel the reverence that this building commands.
Outside of the inner palace, marvel at the Dusit Maha Prasat, one of the original Palace buildings, and its four-tier tiled roofs and magnificent seven-tiered golden spire. This area of the grounds has an amazing collection of ancient topiary, which would happily be portrayed in the surreal work of Dali.
The Grand Palace represents a range of structures and is a three-dimensional "textbook" of Thai decorative techniques, including mosaics of glass or porcelain, painted murals, richly carved and gilded roof supports, doors and windows adorned with mother-of-pearl inlay or gold and black lacquer work, multi-coloured tiled roofs, huge brightly decorated statues, bronze statues. All of this lovingly restored in 1982 for the Bangkok bicentennial celebrations.
It’s hard for me not to enthuse about this site, and I’m sure you will too!