Galleria Borghese

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Editor Pick

Galleria e Museo Borghese

  • March 29, 2005
  • Rated 5 of 5 by KJP from Dallas, Texas
Galleria e Museo Borghese

Villa Borghese, located just north of the Spanish Steps, is Rome’s largest public park. Originally a vineyard, the area was converted to a park by Cardinal Scipione Borghese, nephew of Pope Paul V. The villa was constructed from a sketch by the cardinal himself. The city of Rome acquired the grounds from the wealthy Borghese family in 1902, and the park was opened to the public. Today, Villa Borghese offers a surprisingly peaceful respite from Rome’s bustling pace and is home to numerous museums, including the Galleria Nazionale d’Arte Moderna and the Galleria e Museo Borghese.

While it may not possess the household-name status afforded the Colosseum, the Forum, or the Pantheon, the Galleria e Museo Borghese is an absolute must-see for any visitor to Rome. Reopened in 1997 after undergoing a meticulous 14-year restoration project that began in 1984, the Borghese’s incredibly ornate rooms house an impressive private collection of Italian art, with each gallery seemingly more stunning than the previous one despite the fact that much of the collection was sold to France in 1809 and moved to the Louvre. Advanced reservations are essential.

If you don’t know who Gian Lorenzo Bernini was, you’ll be enlightened by the time you leave the Museo Borghese. Several of Bernini’s most important sculptures are here, including David (the moment before he slays Goliath); The Abduction of Proserpina by Pluto; and my personal favorite, Apollo and Daphne, which is displayed beautifully in gallery with a painting of the same subject and depicts Daphne’s transformation into a tree as she flees the sun god Apollo.

Other notable sculptures in the collection include Antonio Canova’s Pauline Bonaparte, in which Napoleon’s sister poses as Venus.

Paintings include Titian’s masterpiece, Sacred and Profane Love and Caravaggio’s David With the Head of Goliath, in which Caravaggio painted his own self-portrait to represent the slain Goliath. Interestingly, Caravaggio fled Rome after having been accused of murder in 1606, and this painting (1609-1610) was presented to the papal court as a sort of a painted request for pardon.

The museum has some stringent rules: a maximum of 300 visitors at a time are allowed on the first floor, and no more than 90 are allowed on the second floor. In addition, no cameras, bags, or purses of any kind are allowed inside the museum. Ladies, this means don’t even attempt entering with your purse in tow. It’s not going to work. You’ll be directed back to the coat room, and you’ll find yourself relegated to the end of the line.

This is one of the most amazing museums I have ever seen. Even non-art lovers will come away impressed with its dazzling collection, and the spacious park that surrounds it offers big, shady trees and pleasant walking paths.

Additional Information:
Metro: Spagna (Line A)
Bookings and reservations: Tel.: 39.06.32810, or click here for online reservations.

From journal The Italian Job: Rome, Part II

Editor Pick

Galleria Borghese

  • October 5, 2004
  • Rated 5 of 5 by JulieHolm from Vienna, Virginia
Galleria Borghese

The Borghese Gallery is a beautiful art Museum with some wonderful Bernini sculptures including Apollo and Daphne, and some works by Caravaggio and Raphael's Sacred and Profane love. The gallery is really wonderful, and we spent almost all of two hours enjoying it.

You need to either make reservations in advance, for a two-hour window, or wait in a very long line to get tickets that are not claimed. Since we all had reservations had no problem getting in quickly. We waited in a moderately long line for less than 10 minutes to get our tickets, prior to the entrance time checked our big bags (mostly my backpack and Mark's camera bag) and entered.

We started upstairs, seeing rooms full of art, from the ceiling frescoes to the statuary, to the paintings on the walls. It was awesome. Since we could not take pictures, we bought a book and some postcards to make up the gap. Highlights of the visit were the Bernini sculptures, including Apollo and Daphne, which captures the moment when Daphne, to escape rape by Apollo, turns into a tree. It is really very beautiful, very emotional, very baroque.

From journal Roman Pilgrimage

Borghese Gallery

  • May 5, 2004
  • Rated 4 of 5 by tricianna from New York, New York
The Villa Borghese is settled within the lush Borghese Park. First off, you need to know that you HAVE to make reservations before going to the museum. Every two hours, they only let in ~300 people. The museum itself is small, but the pieces are all exquisite. Several of Bernini's major sculptures are on the first floor and the second floor houses the paintings (which include Titian's "The Sacred and the Profane"). You're only limited to a two-hour visit, so I suggest paying the 5 Euro for the excellent audioguide, as it highlights what you SHOULD pay attention to. At the end, the gardens are worth a look-see. I visited in the spring and the tulips were works of art in themselves.

From journal Seven Days of La Dolce Vita

Galleria Borghese

  • April 8, 2002
  • Rated 4 of 5 by npernarelli from Reno, Nevada
If you're up for another museum after the Vatican, this is the one to see. You have to make a reservation beforehand (call 06-32810, they speak English!). Don't miss the Bernini sculptures of Apollo and Daphne, The Rape of Perseopine, or Aneas (all made when he was 20), or the room full of Caravaggio's paintings. In the upstairs gallery, you are limited to 1/2 hour of time, so don't linger too long or you might miss out! I rented an audioguide for the museum and found it to be well worth it, except that some of the descriptions for the paintings upstairs were a little too long... I listened to them after getting kicked out!

From journal So, what's there to see in Rome?

Editor Pick

Borghese Gallery for more Caravaggio

  • February 22, 2002
  • Rated 4 of 5 by jrheimbach from Olathe, Kansas
Borghese Gallery for more Caravaggio

Continuing our hunt for Caravaggio, we visited Gallerio Borghese, one of Rome's most elaborate museums. The museum is open from 9-7 (Tues-Saturday) and shorten hours on Sunday. Most museums were closed on Monday. Interestingly enough, people were admitted into the museum for two hour blocks of time. If you need more time to tour the museum, you have to exit, and pay again to return. Additionally, reservations are required, but the museum may have a few "first come, first serve" openings in the two hour block of time. Fortunately for our group, we were visiting in the off-season, so this was not a problem.

Everyone has to check just about everything at the coat check. No coats, jackets, cameras, backpacks, etc. My wife was allowed to keep her purse with her.

The beginning of the tour starts at the top of the building and works down. We were able to view the gardens and gain some perspective on the facility itself as we walked up the wide circular staircase to the top floor. The rooms were sectioned off, with works of art grouped together by theme. Each room had a "guide" that described the work of art, artist and additional information. I recall that the guide was in more than one language, but I don't remember which languages were available besides English.

Walking a bit faster than my wife, as I wanted sufficient time to see the Caravaggio paintings, the Bernini sculptures, and the Venus sculpture, I moved quickly through the rooms. Suddenly, I was taken aback. Here was a beautiful painting and the artist had the same last name as me! Now, "Heimbach" is not exactly the most Italian name and I was not aware of any famous artist with my name, so I was extremely surprised. I dashed back several rooms and pulled my wife into the room with the Heimbach painting. She was just as surprised as me!

The Caravaggio paintings were beautiful. We saw "David with the head of Golith", "Madonna and Child and little St. John", "Madonna dei Palafrenieri" and "Bacchino Malato". Some of the Carabaggio paintings were on loan to other museums, so we were not able to view all that are owned by the gallery.

The famous sculptures are located in the last rooms towards the end of the tour. It's hard to describe the Bernini sculptures. David and Apollo and Daphne were fascinating. I also loved the Venus Vincitrix statue. The story behind this work of art tell it all. (Two of our group had guide books and we were reading them in addition to the material supplied at the museum.) You’ll just have to go to see them yourself.

The gift shop was at the end of the tour, on the way to the pick up your checked in belongings. We bought our Caravaggio postcards for our hunt and moved on to the next activity.

From journal Pope John Paul II

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