Costume - Museum of

gorboduc
gorboduc
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Editor Pick

Georgian Elegance and Costume Love

  • January 13, 2009
  • Rated 5 of 5 by tvordj from Dartmouth, Nova Scotia
Georgian Elegance and Costume Love

You can buy a combined ticket with the Roman Baths that will also get you into the Assembly Rooms and Costume museum. It's well worth it as these are the top two attractions in Bath. On it's own, it costs £7.

There is a cafe open in the afternoons and there is of course a gift shop. You are allowed to take photographs though the Costume museum is dark and the costumes are behind glass so it won't be all that successful here.

Assembly Rooms:

It is a very fine example of Georgian interior with amazing plastered ceilings and opulent 18th century crystal chandeliers. There are three main rooms, the Octagon Room for playing cards, the tea room for light refreshments and the ballroom where dances and concerts were held. You can hire the tea room and ballroom now for private functions and it looked as if they were being set up for something. Each room had a gallery above the floor level for musicians to play. The website for the Costume museum has a good history of the building under the Assembly Room links. The building is wheelchair accessible with ramps and lifts.

In the same building downstairs is the Costume museum which I really enjoyed. They have clothing and accessories from as far back as the 16th century with the oldest complete outfit dating from 1660. The blackwork embroidery on one shirt from the Elizabethan era used silk so fine you couldn’t’ even tell it was stitched. Everything that old was of course sewn by hand, though some could still be quite elaborately decorated. The designs themselves became more elaborate with things like pleats and ruffles after the invention of the sewing machine in 1846. They had men’s and women’s clothing, shoes, fans, under garments, gloves and accessories. Most of the collection is pre-Edwardian with a smaller collection from the 20th century to modern age. The modern things don’t have very much explanation on the audio commentary, which was identical to the kind used in the Baths.

The museum had a "doll" about 18 inches tall, headless, with a Georgian court dress, the kind with the very wide pannier type "baskets" over the hips that gave the wide rectangular shape skirt, probably a good 5 or 6 feet wide from side to side on a full size dress. They used the dolls as "catalogues", to show what the dress would look like before it was made. They had a mannequin wearing a similar dress in the same case. Another item that caught my eye was a corset from the Edwardian era that would have pulled and manipulated the female shape into the "S" fashionable shape and the waist seemed pulled in almost to the point where I could probably have got most of my hands around the waist. It made me shudder to think what women did to themselves for fashion. And still do.

From journal Magical History Tour 2003

Editor Pick

The Assembly Rooms and the Museum of Costume

  • May 4, 2003
  • Rated 3 of 5 by gorboduc from Salem, Massachusetts
The Assembly Rooms and Museum of Costume are located one block above the Circus on the right.

The Assembly Rooms here are the second set built in Bath, the first having been completed in the early 18th century. The first rooms were located in the Lower Town not far from the Pump Room and the King's and Queen's Baths.

By the latter part of the 18th century, the Lower Rooms seemed small and stodgy and the Upper Assembly Rooms were comissioned of John Wood the Younger. They were completed in 1771.

The building is composed of four main rooms--the Octagon, the Card Room, the Ballroom, and the Tea Room. This was a revolutionary plan--to have rooms dedicated to each of the amusements common at an assembly, so that the card players would not be incommoded by those who wished to eat supper, and the dancers could dance on without impediment.

The Ballroom is gigantic--the largest 18th-century room in Bath. It is two stories high, painted sea green with graceful white plasterwork adorning the ceilings and trim, and lit with a row of six glittering chandeliers. To fill it with dancing ladies and gentlemen, musicians, and watchful duennas, however, requires imagination (and perhaps the help of select passages from Jane Austen, thoughtfully provided on your acoustiguide)--the Ballroom, like the other rooms in the building, is empty except for some chairs to sit in.

At the upper end of the Ballroom is the door to the Octagon and the Card Room. The Octagon links all the rooms together. It was originally intended as a card room, though cards proved so popular that a card room was built, leaving the Octagon as a room for conversation and music.

The final major room in the building is one of the most arresting--the Tea Room, where, as the name indicates, refresments were served. The Tea Room also served as a concert venue. You can see it used as such in the movie version of Persuasion.

The rear of the Tea Room is dominated by stunning columns. The stonework here is faintly pink--the result of a fire when the Assembly Rooms suffered a direct hit in a bombing raid at the end of World War II.

In the basement of the Assembly Rooms is the Museum of Costume, which traces fashion from Elizabethan times to the present.

If you had problems visualizing the Georgian and Regency revelers, a visit here may help--you can see and hear about 18th century and Regency dress, as well as 17th century court dress and Victorian fashion.

Perhaps the most interesting (and frightening) exhibit is the "Dress of the Year", where every year since 1963, a dress has been selected as representitive of the time. (1966 is particularly groovy and 2000 is your chance to see the infamous "J-Lo Oscar dress" up close.)

Admission costs £11 for adults as a combo ticket with the Roman Baths museum, £5.50 for admission to the Assembly Rooms and Museum of Costume alone.

From journal Georgian on my Mind--The 18th Century City of Bath

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