Duomo di Spoleto (Santa Maria Assunta)

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moatway
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Editor Pick

Duomo

  • October 29, 2004
  • Rated 4 of 5 by JulieHolm from Vienna, Virginia
Duomo

Upon entering Spoleto through the main gate, you climb, past the roman theatre, to the Duomo. (Also called Santa Maria Assunta, not that it matters. No Cathedral is called by its name in Italy it seems. They are always The Duomo. Trivia question: What is the name of the Duomo in Florence? Answer in two more pages!) This is a beautiful cathedral with a single focal point, the fresco work by Fra Lippo, his helpers, and his son on the back wall. These frescos, centered on the life and myth of the Virgin Mary, were late works of Fra Lippi; indeed the fresco of the coronation of Mary was the last thing he did before he died (and finished by assistants after the fact). This is some of the best early Renaissance work.

The Cathedral itself, located in a valley as it were, is beautiful from the outside. Relatively plain compared to other churches we would see, it rises toward the sky with a beautiful painting on the facade, among eight (count them, EIGHT) rose windows, which all sit over roman arches. The bell tower is rather plain. It is not an extraordinary building, but it fits extraordinarily well into its setting.

From journal Spoleto Day Trip

Editor Pick

Cathedrale Santa Maria Assunta (Spoleto)

  • May 6, 2004
  • Rated 3 of 5 by moatway from Riverview, New Brunswick
Cathedrale Santa Maria Assunta (Spoleto)

The premiere site in Spoleto is its duomo, sitting as it does before a large piazza. As you enter, to your immediate right is the Capelle Annunziata – a chapel full with age and beauty – featuring a worn stone-bench surround and wonderful frescos around the portrait of the Virgin. . . a crucifixion scene, Saint Jerome and the Lion, St. Michael driving Satan into darkness and so much more.

Part of the charm of this church is the patterned, tile floor, which is worn with age. Large artworks adorn the side chapel, most of them 18th century and framed with marble columns and pediments.

To the right, in the transept, is the bishop’s tomb. To the right of the chancel there is the magnificent Capella dell’Icone in which, brilliant in its ornamented surroundings, is an icon of the Virgin given to Spoleto by Frederick Barbarossa in 1185. The artwork of the Byzantine apse tells the life of the Virgin, the work of Frau Filippo Lippi. (The tomb of the artist is in the right transept.)

Probably the first thing you noticed as you entered was the number of crystal chandeliers – three large ones in particular that hang across the nave before the entrance to the transept. They are particularly beautiful. Before you leave, near the rear of the church you will have to visit the Altare, tabernacole e Armadi – the marquetry and carving in the small room is magnificent.

This is a particularly fine church and should be visited, probably before anything else in this town.

From journal Umbrian Sojourn

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